AustLit

'Based on interviews with 31 non-Indigenous Australians during 2015–2017, this article argues that there is no “typical” non-Indigenous Australian way of talking and thinking about Indigenous Australia. Rather, a more plausible reading of our data is that non-Indigenous Australians are experiencing, in a self-aware and cautious way, the ascendancy of the idea that the Indigenous/non-Indigenous distinction is culturally, morally and politically significant. While interviewees varied in their views about Indigenous difference, their awareness that Indigeneity poses relatively new and compelling questions for Australians was evident in their reflexive ways of talking, as they took up a position in (what they evoked or implied as) a field of non-Indigenous opinion. We propose a model of the orthodoxy that defines this field. Reviewing previous research on non-Indigenous Australians’ everyday attitudes and opinions about Indigenous Australians, we seek to replace accounts that postulate non-Indigenous thinking as a singular edifice. We present popular discourse as the self-aware taking of positions, in known or imagined fields of opinion.' (Publication abstract)

'Through the struggles of Indigenous Australians for recognition and self-determination it has become common sense to understand Australia as made up of both Indigenous and non-Indigenous people and things. But in what ways is the Indigenous/non-Indigenous distinction being used and understood? In The Difference Identity Makes, thirteen Indigenous and non-Indigenous academics examine how this distinction structures the work of cultural production and how Indigenous producers and their works are recognised and valued.

'The editors introduce this innovative collection of essays with a path-finding argument that ‘Indigenous cultural capital’ now challenges all Australians to re-position themselves within a revised scale of values. Each chapter looks at one of five fields of Australian cultural production: sport, television, heritage, visual arts and music, revealing that in each the Indigenous/non-Indigenous distinction has effects that are specific.

'This brings new depth and richness to our understanding of what ‘Indigeneity’ can mean in contemporary Australia. In demonstrating the variety of ways that ’the Indigenous’ is made visible and valued the essays provide a powerful alternative to the ‘deficit’ theme that has continued to haunt the representation of Indigeneity.' (Publication summary)

'As Australia became a nation in 1901, no-one anticipated that ‘Aboriginal affairs’ would become an on-going national preoccupation.

'Not ‘dying out’ as predicted, Aboriginal numbers recovered and – along with Torres Strait Islanders – they became an articulate presence, aggrieved at colonial authority’s interventions into family life and continuing dispossession. Indigenous and Other Australians since 1901 narrates their recovery – not only in numbers but in cultural confidence and critical self-awareness. Pointing to Indigenous leaders, it also reassesses the contribution of government and mission ‘protection’ policies and the revised definitions of ‘Aboriginal’. Timothy Rowse explains why Australia has conceded a large Indigenous Land and Sea Estate since the 1960s, and argues that the crisis in ‘self-determination’ since 2000 has been fuelled by Indigenous critique of the selves that they have become.

'As Indigenous people put themselves at the centre of arguments about their future, this book could not be more timely.' (Publication summary)

'The Indigenous public servant is a relatively recent phenomenon — a product of the maturing of the programs of assimilation and the inception of the programs of self-determination. That the Indigenous administrative memoir is recent follows from this, but it is also relevant to point out that the genre Indigenous autobiography is itself not yet fifty years old. In this essay, I will tell you about three Indigenous autobiographies in which the authors (all male) have produced an account of themselves partly by reflecting on their times as a public servant. In each case, the theme ‘impersonality’ is prominent, but each time in a different way.'  (Introduction)

'The Town Grew Up Dancing is Wenten Rubuntja’s story. It provides a rare view of events that shaped the life of an Arrernte man who has made a major contribution to the art and politics of his time. Wenten was a key figure in the land rights movement in Central Australia in the mid-1970s and has since played a lively and formative role as an Aboriginal statesman in his home town of Alice Springs. He is highly respected for the depth and breadth of his traditional knowledge and for his unique skills as a negotiator. This book reveals the humour and wisdom of an Aboriginal man skilled at engaging in both the traditional and the contemporary worlds. The story is told in Wenten’s own words – in his first language, Arrernte, with accompanying translations, and in Aboriginal English. The book also includes the voices of many who have been close to Wenten, including members of his own family, and others who have worked with him over the years. Additional commentary is provided by linguist and artist Jenny Green and historian Tim Rowse. This fascinating and innovative book weaves together autobiography and biography in a powerful story of recent Indigenous history in Australia. The book features Wenten’s own commentary on his paintings, and photographs in colour and black and white bring his story and Alice Springs’ colourful past vividly to life.' (Source: IAD Press website)

'The colonial practice of rationing goods to Aboriginal people has been neglected in the study of the Australian frontiers.,, much of the colonial experience in Central Australia can be understood by seeing rationing as a fundamental, though flexible, instrument of the colonial government.' In this book, Rowse 'develops a new narrative of the colonisation of Central Australia. ' Source: Publisher's blurb