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Anna Johnston Anna Johnston i(A26920 works by)
Gender: Female
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1 Eliza Hamilton Dunlop — The Irish Australian Poet Who Shone a Light on Colonial Violence Anna Johnston , 2021 single work biography
— Appears in: The Conversation , 17 June 2021;

'Eliza Hamilton Dunlop’s poem The Aboriginal Mother was published in The Australian on December 13, 1838, five days before seven men were hanged for their part in the Myall Creek massacre.' (Introduction)

1 The Poetry of the Archive : Locating Eliza Hamilton Dunlop Anna Johnston , 2021 single work criticism
— Appears in: Eliza Hamilton Dunlop : Writing from the Colonial Frontier 2021;
1 “Proud of Contributing Its Quota to the Original Literature of the Colony” : An Introduction to Eliza Hamilton Dunlop and Her Writing Anna Johnston , Elizabeth Webby , 2021 single work criticism
— Appears in: Eliza Hamilton Dunlop : Writing from the Colonial Frontier 2021;
1 y separately published work icon Eliza Hamilton Dunlop : Writing from the Colonial Frontier Anna Johnston (editor), Elizabeth Webby (editor), Sydney : Sydney University Press , 2021 21649381 2021 anthology criticism poetry

'Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies.

'This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.'

Source: Publisher's blurb.

1 'Our Antipodes' : Settler Colonial Environments in Victorian Travel Writing Anna Johnston , 2018 single work criticism
— Appears in: Victorian Environments : Acclimatizing to Change in British Domestic and Colonial Culture 2018; (p. 57-75)
1 1 y separately published work icon Travelling Home, Walkabout Magazine and Mid-twentieth-century Australia Mitchell Rolls , Anna Johnston , London : Anthem Press , 2016 11164573 2016 multi chapter work criticism

'Walkabout magazine was one of the most influential and innovative Australian magazines across much of the twentieth century and it is long overdue for an extended, appreciative study of its internal and external dynamics. Mitchell Rolls and Anna Johnston provide the significant and innovative study the magazine deserves drawing attention to its complex engagement with the natural environment and the land as resource, with history and heritage, with Aboriginal and Pacific Island cultures.' —David Carter, Fellow at Australian Academy of the Humanities

''Travelling Home' provides a detailed analysis of the contribution that the mid twentieth-century 'Walkabout' magazine made to Australia’s cultural history. Spanning five central decades of the twentieth century (1934-1974), 'Walkabout' was integral to Australia’s sense of itself as a nation. By advocating travel—both vicarious and actual—'Walkabout' encouraged settler Australians to broaden their image of the nation and its place in the Pacific region. In this way, 'Walkabout' explicitly aimed to make its readers feel at home in their country, as well as including a diverse picture of Aboriginal and Pacific cultures. Like National Geographic in the United States, Walkabout presented a cornucopia of images and information that was accessible to a broad readership.

'Given its wide availability and distribution, together with its accessible and entertaining content, 'Walkabout' changed how Australia was perceived, and the magazine is recalled with nostalgic fondness by most if not all of its former readers. Many urban readers learnt about Indigenous peoples and cultures through the many articles on these topics, and although these representations now seem dated and at times discriminatory, they provide a lens through which to see how contemporary attitudes about race and difference were defined and negotiated.

'Drawing on interdisciplinary scholarship, 'Travelling Home' engages with key questions in literary, cultural, and Australian studies about national identity and modernity. The book’s diverse topics demonstrate how 'Walkabout' canvassed subtle and shifting fields of representation. Grounded in the archival history of the magazine’s production, the book addresses questions key to Australian cultural history. These include an investigation of middle-brow print culture and the writers who contributed to Walkabout, and the role of 'Walkabout' in presenting diverse and often conflicting information about Indigenous and other non-white cultures. Other chapters examine how popular natural history enabled scientists and readers alike to define an unique Australian landscape, and to debate how a modernising nation could preserve its bush while advocating industrial and agricultural development. While the nation is central to 'Walkabout' magazine’s imagined world, Australia is always understood to be part of the Pacific region in complex ways that included neo-colonialism, and Pacific content was prominent in the magazine. Through complex and nuanced readings of Australian literary and cultural history, 'Travelling Home' reveals how vernacular understandings of key issues in Australia’s cultural history were developed and debated in this accessible and entertaining magazine.' (Publication summary)

1 Reading Walkabout in Osaka : Travel, Mobility, and Place-making Anna Johnston , 2016 single work prose
— Appears in: PAN , no. 12 2016;
'Travelling by nostalgically hyper-modern monorail, I arrived at Suita in Osaka in search of Australian modernity. The Expo 1970 site is now a commemorative park, dotted with concrete infrastructure and brutalist architecture amongst gardens filled with autumnal colour, or spring sakura, depending on season. Its entrance is marked by an enormous two armed primitivist sculpture-The Tower of the Sun (1970) by Taro Okamoto-that looms 70 metres above the viewer, with three faces whose light-up eyes prove a disconcerting sight for night-time arrivals. The Osaka Commemorative Park is also home to the National Museum of Ethnology (known as Minpaku), which houses an extraordinary collection of ethnological artefacts from around the world and a well-stocked anthropology library.' (Publication abstract)
1 How American Servicemen Found Ernestine Hill in Their Kitbags Anna Johnston , 2014 single work essay
— Appears in: Inside Story , June 2014;
1 American Servicemen Find Ernestine Hill in Their Kitbags : The Great Australian Loneliness Anna Johnston , 2013 single work criticism
— Appears in: Telling Stories : Australian Life and Literature 1935–2012 2013; (p. 84-90)
1 7 y separately published work icon The Paper War: Morality, Print Culture and Power in Colonial New South Wales Anna Johnston , Crawley : UWA Publishing , 2011 Z1814670 2011 single work biography 'In February 1832 Rev. Threlkeld was named as one of the "perpetual blisters" that the London Missionary Society seemed "destined to carry". Lancelot Threkkeld, a working-class British subject, had lobbied his way to the colonies where he set up the Lake Macquarie mission in New South Wales. It was here that controversies, arguments, tempers and debates abounded, resulting in a very public "paper war".

'This engaging and intelligent book delves into the diverse and voluminous body of texts produced by and about Threlkeld from 1825-41. It identifies an influential network of British Empire men who were as crucial to the humanitarian debate as they were to the destruction of Threlkeld's mission.

'A web of intrigue, corruption, slander, whistleblowing and backstabbing, The Paper War is an eye-opener to colonial Australia.' (From the publisher's website.)
1 1 Settler Post-Colonialism and Australian Literary Culture Anna Johnston , Alan Lawson , 2010 single work criticism
— Appears in: Modern Australian Criticism and Theory 2010; (p. 28-40)
'This essay begins by mapping the place of settler postcolonialism in postcolonial studies, and its relevance to the Australian context. It then moves to demonstrate the applicability of settler postcolonial reading practices for Australian texts and contexts through two paradigmatic tropes: land and textuality.' Source: Modern Australian Criticism and Theory (2010)
1 George Augustus Robinson, the 'Great Conciliator': Colonial Celebrity and Its Postcolonial Aftermath Anna Johnston , 2009 single work criticism
— Appears in: Postcolonial Studies , vol. 12 no. 2 2009; (p. 153-172)
Author's abstract: George Augustus Robinson, the 'Great Conciliator', conducted one of the most high profile and subsequently notorious experiments with indigenous people in the nineteenth-century British Empire. His 'removal' of Tasmanian Aborigines from the settler-dominated main island was well known at the time: celebrated by many as the most efficacious resolution to frontier conflict, even as it was criticized by (some) liberal commentators. Robinson was acutely aware of himself as an actor on the imperial stage, boasting in his diary on 3 September 1832 that, 'By taking the whole [group of Aborigines] I gain not only the reward but also celebrity' (Friendly Mission). As Patrick Brantlinger argues, colonial, American, European and British commentators were acutely interested in the fate of indigenous peoples when they encountered white, Western civilization: the Tasmanian genocide (as it was known) 'offered a moral and political lesson in how the progress of empire and civilization could be badly botched'. Ideas about Robinson and his 'mission' to the Tasmanian Aborigines have circulated in popular culture and art since the 1830s. A variety of mechanisms have kept Robinson in the popular imagination. Benjamin Duterrau's portrait of Robinson in 'The Conciliation' memorably pictures a soft-faced Briton surrounded by his Aboriginal 'charges', but colonial and imperial commentators positioned Robinson equally often within the racial science of high imperialism. Alongside such representations, Robinson and the Tasmanian Aborigines were envisioned by popular newspapers, pamphleteers and writers in the Victorian economy's commodification of Empire. These imaginings of Robinson were as vigorous in the imperial centres as in the colonies, and have continued to be so. Twentieth-century authors - from Robert Drewe, to Mudrooroo, to Matthew Kneale, to Stephen Scheding and Nicholas Shakespeare - seem compelled to re-imagine Robinson's story. This paper examines Robinson's colonial celebrity and its postcolonial aftermath through theories of mass media and celebrity.
1 7 y separately published work icon Reading Robinson : Companion Essays to 'Friendly Mission' Anna Johnston (editor), Mitchell Rolls (editor), Hobart : Quintus Publishing , 2008 Z1575735 2008 anthology criticism

This work 'explores how we might read Friendly Mission in the twenty-first century. In doing so the essays in this volume are symptomatic - but not conclusively representative - of the multiple readers, readings and interpretations that this textual artifact can generate. Narratives of colonial encounter - explorers' journals, ethnographies, letters, paintings - survive to be fathomed by later generations and, particularly in the former settler colonies, such accounts of early contact between indigenous and invading cultures are crucial to understandings of nations and their politics.' (from the editors' Introduction p.13-14)

'Reading Robinson, while remaining cognisant of local resonances, extends Friendly Mission from parochial particularity and situates it within international contexts, both in terms of contemporary accounts of colonial/settler contact, conflict with indigenes and current scholarship analysing this material.' - back cover

1 y separately published work icon New Literatures Review no. 44 October Ralph Crane (editor), Anna Johnston (editor), 2005 Z1453251 2005 periodical issue This issue contains three papers presented at Monash University's 'Globalisation and Postcolonial Identities' Symposium held in May 2004, in collaboration with the State Library of Victoria. It also includes articles on literary works outside the scope of AustLit.
1 Postcolonial Diversity Anna Johnston , 2002 single work review
— Appears in: Canadian Literature , Summer no. 173 2002; (p. 142-143)

— Review of Writing the Nation : Self and Country in the Post-colonial Imagination 1996 anthology criticism
1 2 y separately published work icon In Transit : Travel, Text, Empire Helen Gilbert (editor), Anna Johnston (editor), New York (City) : Peter Lang , 2002 Z987828 2002 anthology criticism
1 White Men in the Tropics Anna Johnston , 2002 single work review
— Appears in: Coppertales : A Journal of Rural Arts , no. 8 2002; (p. 106-109)

— Review of Prosthetic Gods : Travel, Representation and Colonial Governance Robert Dixon , 2001 selected work criticism
1 Mission Statements : Textuality and Morality in the Colonial Archive Anna Johnston , 2001 single work criticism
— Appears in: Australian Literary Studies in the 21st Century 2001; (p. [151]-160)
Johnston discusses missionary Lancelot Edward Threlkeld's writings as colonial texts.
1 Untitled Anna Johnston , 2001 single work review
— Appears in: Viewpoint : On Books for Young Adults , Summer vol. 9 no. 4 2001; (p. 56)

— Review of A Kiss in Every Wave Rosanne Hawke , 2001 single work novel
1 Identity, Politics, Representation Anna Johnston , 2000 single work review
— Appears in: Southern Review , vol. 33 no. 3 2000; (p. 374-378)

— Review of The Intimate Empire : Reading Women's Autobiography Gillian Whitlock , 2000 single work criticism
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