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Colin Golvan Colin Golvan i(A29785 works by) (a.k.a. C. Golvan)
Born: Established: 1955 Melbourne, Victoria, ;
Gender: Male
Expatriate assertion
Heritage: Jewish
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Works By

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1 'The Copyright of Albert Namatjira' Colin Golvan , 2017 single work essay
— Appears in: Australian Book Review , April no. 390 2017; 'You see them driving from Kings Canyon to Alice Springs, the majestic ghost white river gums depicted so faithfully in the paintings of Albert Namatjira. You would think you were looking at a Namatjira painting. And then there is the vista of the craggy hills of the West McDonnell Ranges in their mysterious blue hue – a signature feature of Namatjira’s art.' (Introduction)
1 The God of Cheaper Prices : New Threats to Our Literary Culture from the Productivity Commission Colin Golvan , 2016 single work criticism
— Appears in: Australian Book Review , November no. 386 2016; (p. 19-20) 'The federal government has been promoting the innovation economy, but is considering recommendations for legal reform which will undermine the financial and cultural interests of creators. This conflict captures the tension around real reform in this area. Are they being serious? The recommendations are contained in the report of the Productivity Commission, an independent panel which reviews options to make our economy more productive, favouring free markets, and eschewing monopolistic practices.' (Introduction)
1 Arts Highlights of the Year Robyn Archer , Ben Brooker , Tim Byrne , Lee Christofis , Alison Croggon , Brett Dean , Ian Dickson , Julie Ewington , Morag Fraser , Andrew Fuhrmann , Colin Golvan , Fiona Gruber , Patrick McCaughey , Brian McFarlane , Primrose Potter , John Rickard , Peter Rose , Dina Ross , Michael Shmith , Doug Wallen , Terri-Ann White , Kim Williams , Jake Wilson , 2015 single work column
— Appears in: Australian Book Review , November no. 376 2015; (p. 36-42) 'To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Update.)' (36)
1 Copyright and the Internet: The New Electronic Order Colin Golvan , 2011 single work criticism
— Appears in: Australian Book Review , May no. 331 2011; (p. 25-28)
1 Copyright, Guns and Money : Copyright and Culture in the Digital Age Colin Golvan , 2005 single work essay
— Appears in: Australian Book Review , August no. 273 2005; (p. 24-29)
1 Writers' Agreements with Publishers and Strategies for Overcoming Unfair Contracting Practices Colin Golvan , 1994 single work criticism
— Appears in: The Happy Couple : Law and Literature 1994; (p. 233-240) Colin Golvan discusses the imbalance of negotiating positions between publishers and writers, especially inexperienced writers. He concludes: 'Until our writers cultivate an active interest and involvement in the legal processes attaching to publication, then I believe that the notion of contractual fairness in publishing agreements will remain altogether unachievable' (240).
1 form Savage Colin Golvan , 1994 single work drama radio play
1 Forecasts Colin Golvan , 1994 single work review
— Appears in: Australian Bookseller & Publisher , July vol. 74 no. 1049 1994; (p. 54)
— Review of A Grain of Truth Nicholas Hasluck , 1994 single work novel
1 form Theatre of Dissent Colin Golvan , 1990 single work drama radio play
1 5 y separately published work icon Theatre Daze Colin Golvan , North Sydney : Allen and Unwin , 1990 Z57084 1990 single work novel humour

''The Perfect Moment’ may be the world's worst play. It is certainly the worst-ever play to be mounted by the prestigious Melbourne Repertory Theatre. How could they have agreed to put it on?

'Humble Roger Normandy has the dubious honour of being creator of ‘The Perfect Moment’. Briefly, he envisages fame. Rudely, he is trampled by the giant egos who stride Melbourne Rep's boards.

'Salvation has never seemed further from hand.' (Publication summary)
1 7 form Eichmann in Haifa Colin Golvan , 1990 single work drama radio play
— Appears in: Eichmann in Haifa and An Evening with Shalom Aleichem 1990; (p. 1-23)
1 An Evening with Shalom Aleichem Colin Golvan , 1990 single work drama
— Appears in: Eichmann in Haifa and An Evening with Shalom Aleichem 1990; (p. 25-50)
1 y separately published work icon Eichmann in Haifa and An Evening with Shalom Aleichem Colin Golvan , Montmorency : Yackandandah Playscripts , 1990 Z482874 1990 selected work drama
1 form y separately published work icon Inside Running Judith Colquhoun , Alan Madden , John Lord , Peter Hepworth , Rick Held , Colin Golvan , Jan Sardi , John Romeril , John Reeves , Alison Nisselle , Bill Garner , Graeme Farmer , ( dir. Peter Baroutis et. al. )agent Australia : Australian Broadcasting Corporation , 1989 Z1889025 1989 series - publisher film/TV

'An insight into the private and working lives of barristers.'

Source: Screen Australia.
1 How Long Should We Wait Colin Golvan , 1989 single work criticism
— Appears in: Australian Book Review , August no. 113 1989; (p. 22)
1 form Whatever Happened to Existentialism Colin Golvan , 1989 single work drama radio play
1 form Shooting the Messenger Colin Golvan , 1989 single work drama radio play
1 Eichmann in Haifa Colin Golvan , 1988 extract drama (Eichmann in Haifa)
— Appears in: Melbourne Chronicle , March-April vol. 1 no. 57 1988; (p. 96-97)
1 form Awakening Colin Golvan , 1988 single work drama radio play
1 y separately published work icon The Tramp's Revenge Colin Golvan , Montmorency : Yackandandah Playscripts , 1985 Z153119 1985 single work drama
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