AustLit

'In this major full-career reassessment of J. M. Coetzee, Anthony Uhlmann illuminates the intellectual and philosophical interests that drive Coetzee's writing.

'Whilst looking at Coetzee's writing career, from his dissertation through to The Schooldays of Jesus (2016), and interpreting running themes and scenarios, style, and evolving attitudes to form and genre, Uhlmann also offers revealing glimpses, informed by archival research, of Coetzee's writing process. Among the main themes that Uhlmann draws out from Coetzee's writing, and which remain highly relevant today, are the ideas that there is truth in fiction, or that fiction can provide valuable understandings of real world problems, and there are also fictions of the truth: that we are surrounded, in our everyday lives, with stories we tell ourselves which we wish to believe are true.

'J. M. Coetzee: Truth, Meaning, Fiction offers a revealing new account of one of our most important contemporary writers.' (Introduction)

'As many critics point out, Gerald Murnane challenges how we read, how we think and interpret. The closer one reads him the more profound these challenges appear. I will attempt two things in this chapter. First, I will make some comments on some of these challenges. Second, I will offer a reading of some of the associations of images the work brings together.' (Introduction)

'Gerald Murnane is one of Australia’s most important contemporary authors, but for years was neglected by critics. In 2018 the New York Times described him as “the greatest living English-language writer most people have never heard of” and tipped him as a future Nobel Prize winner.

'Gerald Murnane: Another World in This One coincides with a renewed interest in his work. It includes an important new essay by Murnane himself, alongside chapters by established and emerging literary critics from Australia and internationally. Together they provide a stimulating reassessment of Murnane’s diverse body of work.'

Source: Publisher's blurb.

'There are many ideas of difficulty and struggle in relation to writing. One that is sometimes forgotten when a writer achieves a level of prominence is the struggle involved in finding a publisher and an audience. With Wayne Macauley some of these difficulties are clearly signalled, with post-it notes helpfully attached to signposts alerting fellow travellers to the challenges faced by writers who write in ways that might be considered atypical or difficult in the industry of Australian publishing in the early twenty-first century.'  (Introduction)

'To investigate the health benefits of participating in creative writing workshops, in 2015 and 2016 a group of academics from Western Sydney University ran an intervention in two retirement homes. Asked to participate in both ‘life writing’ and ‘experimental’ writing exercises rather than purely in life writing alone, participants showed an ability to write in ways they had not done previously, with the two modes of writing practice proving complementary. Two case studies, Skipper and Brydon, show how participants engaged in ‘new writing’ in different ways. A study of the data on the continuing independently run workshops between the two interventions and after the second one reveals that the participants continued to write in ‘new ways’ even after the academic facilitators had ceased being involved.' (Publication abstract)

'I first came to Border Districts through a brief description of it given to me by Gerald Murnane when I first met him three years ago. I thought he had told me that he did not think it was as complex as another work he wrote around the same time, A Million Windows.' (Introduction)

'A defrocked priest, Antony Elm, has made his way into a desert outside Alice Springs, where he intends to stay for forty days and forty nights. He is undergoing a crisis of faith and has brought with him the typescript for a book he has failed to finish about a meeting between Albert Einstein and the French philosopher Henri Bergson. This story concerns a crisis of understanding, as Bergson confronts Einstein about the meaning of time.

'On the back of his typescript Antony writes another story, somehow close to his heart, which concerns two young men traveling to Sydney from Canberra for the first time in the early 1980s. This story, about a crisis of love, takes place in a single night as the boys encounter temptation, damnation and salvation in the world of alternative music.

'Antony becomes increasingly delirious, observing temptations of the flesh and spirit, scribbling in the margins of his two unspooling narratives, awaiting a rescue that may or may not come.'

Source: Publisher's blurb.

'Since the controversy and acclaim that surrounded the publication of Disgrace (1999), the awarding of the Nobel Prize for literature and the publication of Elizabeth Costello: Eight Lessons (both in 2003), J. M. Coetzee's status has begun to steadily rise to the point where he has now outgrown the specialized domain of South African literature. Today he is recognized more simply as one of the most important writers in the English language from the late 20th and early 21st century. Coetzee's productivity and invention has not slowed with old age. The Childhood of Jesus, published in 2013, like Elizabeth Costello, was met with a puzzled reception, as critics struggled to come to terms with its odd setting and structure, its seemingly flat tone, and the strange affectless interactions of its characters. Most puzzling was the central character, David, linked by the title to an idea of Jesus. J.M. Coetzee's The Childhood of Jesus: The Ethics of Ideas and Things is at the forefront of an exciting process of critical engagement with this novel, which has begun to uncover its rich dialogue with philosophy, theology, mathematics, politics, and questions of meaning.' (Publication summary)

'In December 2012, J.M. Coetzee published an article on Gerald Murnane in the New York Review of Books. Coetzee has long written for the NYRB and many of these essays have been collected and republished in Stranger Shores: Literary Essays, 1986-1999 (2001) and Inner Workings: Literary Essays, 2000-2005 (2007). This republication in itself demonstrates that the essays are not only occasional pieces, but contain insights of sufficient importance to Coetzee to justify their preservation. Their relevance to Coetzee’s fiction is apparent: his review of Joseph Frank’s biography of Fyodor Dostoevsky, for example, appeared soon after he published a novel concerned with Dostoevsky, The Master of Petersburg (1994).' (Introduction)