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Claire Gaskin Claire Gaskin i(A5549 works by) (birth name: Claire Marita Gaskin)
Born: Established: 1966 Melbourne, Victoria, ;
Gender: Female
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Works By

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1 Ismene Loves i "to love is to truly have survived", Claire Gaskin , 2021 single work poetry
— Appears in: Rochford Street Review , 5 5eptember no. 32 2021;
1 1 y separately published work icon Ismene's Survivable Resistance Claire Gaskin , Glebe : Puncher and Wattmann , 2021 22928853 2021 selected work poetry

'In this fourth major poetry collection, Claire Gaskin re-envisions the myth of Antigone by focusing on her sister Ismene. Assuming the voice of a contemporary Ismene, she asks us to consider what survivable resistance might look like for those who live on after tragedy? What kind of avenues are available to resist autocratic and patriarchal structures of power? How might we imagine a future that is different to our past and instigate real change at both a personal and public level?

'Ismene’s accommodation of and respect for difference is privileged in these poems, as is her credo of care in situations that seem overwhelmingly difficult or impossible: ‘remember those who love you love you still’. The poems identify and expose inner and outer silencing devices and refuse to be silenced. Powerfully evocative and cumulative in its reflective intensity, Ismene’s Survivable Resistance demonstrates how creative engagement can enable connections between the seemingly fragmentary and how poetic form not only provides a crucial means to hear those who have survived abuses of power but can also be the vehicle for change.'(Publication summary)

1 y separately published work icon Australian Poetry Journal vol. 11 no. 1 Stuart Barnes (editor), Claire Gaskin (editor), 2021 22599589 2021 periodical issue poetry 'For this issue of APJ we read, with exhilaration and appreciation, more than 700 poems—the sort of ‘proper work’ Mary Oliver talks about in her poem ‘Yes! No!’—by emerging, mid-career and established poets familiar and unfamiliar, from across Australia and beyond. We considered free verse and formal poems (sestinas, a cento pantoum, a centocartography), as well as prose, concrete and ekphrastic poems.' (Editorial introduction)
1 Ismene’s Patent Foramen Ovale Closure i "was I just a plot device in Antigone’s story", Claire Gaskin , 2021 single work poetry
— Appears in: Overland [Online] , March 2021;
1 Ismene After the Royal Commission i "the truth is I went back", Claire Gaskin , 2021 single work poetry
— Appears in: Overland [Online] , March 2021;
1 y separately published work icon Eurydice Speaks Claire Gaskin , Melbourne : Hunter Publishers , 2021 20981570 2021 selected work poetry 'Eurydice Speaks is a linked sonnet series echoing the voices that emerge from the Underworld. A contemporary Eurydice uses the power of language to process her constraints and losses, reflected in strategies of transformation that focus on the dynamic between iteration and change. Fragments of being and transitory insights, like broken pieces of mirror within the architecture of the sonnet, reflect and distort, to deepen, intensify and reinforce connectivity. This collection illustrates the evocative, associative and allusive power in the methods of poetry, to know and be known, to feel and be felt, to gather and cohere.' (Publication summary)
 
1 Ahead i "The truth of where I am now is an axe in ice. Bach in the dark of migraine mountain. The", Claire Gaskin , 2020 single work poetry
— Appears in: Stilts , September no. 8 2020;
1 Same Purr Claire Gaskin , 2020 single work poetry
— Appears in: Australian Poetry Anthology 2020; (p. 139)
1 Ismene in a Twelve Step Programme i "I can tell you about powerlessness", Claire Gaskin , 2020 single work poetry
— Appears in: Rabbit , June no. 30 2020; (p. 28-30) Rochford Street Review , 5 5eptember no. 32 2021;
1 Present at an Event i "what witness is pulled down with the blinds", Claire Gaskin , 2019 single work poetry
— Appears in: Rabbit , no. 27 2019; (p. 86-88)
1 Constancy i "my compliance cannot be bought", Claire Gaskin , 2018 single work poetry
— Appears in: Hope for Whole : Poets Speak up to Adani 2018; (p. 52)
1 Ismene’s Thirst i "in this binary library", Claire Gaskin , 2018 single work poetry
— Appears in: Cordite Poetry Review , 1 May no. 86 2018; Rochford Street Review , 5 5eptember no. 32 2021;
1 Eurydice i "standing tall and stalled when he looks back", Claire Gaskin , 2016 single work poetry
— Appears in: Contemporary Australian Feminist Poetry 2016; (p. 74)
1 LiveRecovery i "the suffering angels offered the river’s gaze", Claire Gaskin , 2016 single work poetry
— Appears in: Transnational Literature , November vol. 9 no. 1 2016;
1 Bewilderment and Wonder : Claire Gaskin Launches ‘Reflections of a Temporary Self : New & Selected Poems’ by Grant Caldwell Claire Gaskin , 2016 single work review
— Appears in: Rochford Street Review , July-September no. 19 2016;

— Review of Reflections of a Temporary Self : New and Selected Poems 1979 - 2015 Grant Caldwell , 2015 selected work poetry
1 Nest II i "Nuance happens next. My", Claire Gaskin , 2015 single work poetry
— Appears in: Rabbit , March no. 14 2015; (p. 114-115)
1 Next i "Nothing happens next. My", Claire Gaskin , 2015 single work poetry
— Appears in: Rabbit , March no. 14 2015; (p. 112-113)
1 Afterwardsness Claire Gaskin , 2014 single work short story
— Appears in: Bareknuckle Poet , October 2014;
1 Two Boolean Sonnets i "he tells me his wife is crazy", Claire Gaskin , 2014 single work poetry
— Appears in: Australian Poetry Journal , vol. 4 no. 2 2014; (p. 98-99)
1 3 y separately published work icon Paperweight Claire Gaskin , Melbourne : Hunter Publishers , 2013 7093006 2013 selected work poetry (taught in 1 units)

'In her second major collection, Claire Gaskin explores the human condition, disengaging language from our assumptions in order to reassemble an emotional and intellectual integrity. In the best surrealist tradition, Paperweight plays the game of exquisite corpse - dismantling language to reveal how it imprisons experience within a system. Conversely, Gaskin then shows how imagery can liberate in moments of pure surprise and how the constraints of form such as the villanelle and the pantoum can force invention. Spare yet expressive, playful yet wise, Paperweight celebrates the visceral power of poetry and its connection to the body, personal history, and the immergence of the unconscious in us all.' (Publication summary)

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