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Adele Chynoweth Adele Chynoweth i(A63017 works by)
Gender: Female
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Works By

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1 y separately published work icon Goodna Girls : A History of Children in a Queensland Mental Asylum Adele Chynoweth , Acton : Australian National University Press , 2020 21934297 2020 single work non-fiction biography

'Goodna Girls tells the story of children incarcerated in Wolston Park Hospital, an adult psychiatric facility in Queensland, Australia. It contains the personal testimonies of women who relate—in their own no-holds-barred style and often with irreverent humour—how they, as children, ended up in Wolston Park and how this affected their adult lives. The accounts of hospital staff who witnessed the effects of this heinous policy and spoke out are also included.

'The book examines the consequences of the Queensland Government’s manipulation of a medical model to respond to ‘juvenile delinquents’, many of whom were simply vulnerable children absconding from abusive conditions. As Australia faces the repercussions of the institutionalisation of its children in the twentieth century, brought about through a series of government inquiries, Goodna Girls makes a vital contribution to the public history of the Stolen Generations, Former Child Migrants and Forgotten Australians.

'Goodna Girls presents the research that informed a successful, collective campaign to lobby the Queensland Government to make long overdue and much-needed reparations to a group of courageous survivors. It holds contemporary resonance for scholars, policymakers and practitioners in the fields of public history, welfare, child protection, education, nursing, sociology, medicine and criminology.'

Source : publisher's blurb

1 Theatre in Australia's National Capital Adele Chynoweth , 2009 single work criticism
— Appears in: Australasian Drama Studies , April no. 54 2009; (p. 159-177)

Discusses theatres, past and present, amateur and professional, in Canberra. The author argues that Australia's national capital is informed by a 'valorisation of the visual arts over theatre', and within the performing arts themselves, 'amateur theatre appears to dominate and professional performance appears to be marginalised'. 'In order to understand why professional theatre has been relegated to the fringes of Canberra's culture, I provide historical and political explanations' (159).

1 Post-feminist Physical Theatre : The Abject and the Split Subject in My Vicious Angel by Christine Evans Adele Chynoweth , 2001 single work criticism
— Appears in: Australasian Drama Studies , April no. 38 2001; (p. 44-57)
Examines the successful production of the play which 'reveals the mode of feminist politics ... acceptable for high-profile theatre companies' (44). Although the play 'provides a generally well-received alternative to the phallocentric formula of the singular male protagonist within the conventional linear narrative', the author argues that perhaps Evans 'does not go far enough in critiquing patriarchal constructions' (55).
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