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Sue Lovell Sue Lovell i(A6627 works by) (a.k.a. Susan Rosemary Lovell)
Gender: Female
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Works By

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1 Neither Fish nor Fowl : Travelling across Genres and Disciplines through 21st Century Australian Cli-Fi Sue Lovell , Bridget Thomas , Olga Wickham , 2019 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 56 2019;
'In 2014, Juliet McKenna wrote ‘The genre debate: Science fiction travels farther than literary fiction’ (McKenna 2014). This title aligns literature and genre with travel, but she also resorts to place-based metaphors to establish the distance between specific types of writing. ‘Speculative fiction’, she suggests, ‘prompts the reader to pay so much more attention, looking for the details that make sense of this strange world. Reading speculative fiction isn’t arriving in Manchester. It’s finding yourself in Outer Mongolia with no help from Lonely Planet or a rough Guide’. Cli-fi is notoriously difficult to locate generically, but thinking about it in relation to travel may assist in understanding how it works to develop contemporary identities. This paper therefore examines specifically Australian cli-fi, predominantly from the 21st century and its use of concepts familiar from travel writing. These include touristic alienation/authenticity, destination image perception as it relates to revisit intention, and mental time travel. This enables us to highlight local Australian literature in a global context in relation to cli-fi and travel. We argue that travel concepts as they are engaged in non-narrative travel literature enables an engagement with cli-fi that moves beyond debates about its generic or literary status to deeper more existentially relevant understandings of what it means to be human in the 21st century.'

 (Publication abstract)

 
1 ‘The Trees and Grass and River and Myself’ : Vida Lahey and Madge Roe as Cultural Subjects Sue Lovell , 2016 single work criticism
— Appears in: Queensland Review , June vol. 23 no. 1 2016; (p. 49-61)

'Madge Roe was a Brisbane-based illustrator who specialised in Australian flora and fauna. She captured the everyday in sketches and line illustrations to share with family and friends, and donated her time and talents to public causes. Although an avid supporter of and participant in Brisbane cultural groups, she was not a leading artist. Vida Lahey, however, was highly respected nationally and developing an international reputation. Both artists were embedded in family networks that sustained and promoted their well-being; both engaged with Brisbane culture, though in very different ways. In this paper, I argue for thinking holistically about culture and place as they are engaged by meaning-making ‘subjects’. Through Lahey's painting, Memoriam to Madge Roe, Roe's death notice and family sources, I focus on the articulation by subjects of geo-cultural meanings. By using this term, I indicate that meaning making is closely tied to place, to transitions between places and to the family as a form of subject ‘placement’.'  (Publication abstract)

1 Shadowing Vida Lahey : Bats, Books and Biographical Method Sue Lovell , 2014 single work criticism
— Appears in: Queensland Review , June vol. 21 no. 1 2014; (p. 72-83)
'In bumper-to-bumper traffic along the Pacific Motorway at dusk, I edge south past the Logan Road exit towards the Gold Coast. Vehicles moving easily north have already put their headlights on. Flying foxes are massing against the darkening sky. These native megabats will find their way to food using their sharp eyes and sense of smell. As I watch, I am reminded of the microbats of another hemisphere. Those blind bats had prompted Thomas Nagel's famous paper, ‘What is it like to be a bat?’' (Publication abstract)
1 Janette Turner Hospital's The Last Magician in 'an Expanded Field' Sue Lovell , 2005 single work criticism
— Appears in: Aumla , November no. 104 2005; (p. 121-149)

'The first half of this paper gives a short orientation to the novel then prodeeds to analyse the way in which Hospital enables her readers to become more aware of how the identities of individual subjects and "global" Australians are constructed. I argue that she encourages her readers to critique the process of identity acquisition by moving the (tired though nevertheless effective) dichotomy of inclusion/exclusion to examine the suffering that it constitutes' (121-122).

1 The 'Psychic Space' of Queensland in the Work of Janette Turner Hospital Sue Lovell , 2004 single work criticism
— Appears in: Queensland Review , December vol. 11 no. 2 2004; (p. 11-23)
'In January 1967 Janette Turner Hospital left Queensland for Boston. She was unpublished. 25 years of age, and very much the product of a loving but fundamentalist childhood that she understood as the ‘source of all comfort and security, but also the source of all harm’. She has called America. India. Canada and France ‘home’ and has also frequently taught in other European countries. Although she has two adult children who have made their lives in the United States and Canada, her parents and three younger brothers remain in Brisbane, so she returns regularly to sustain family ties.' (Extract)
1 Janet Turner Hospital's Literary Thriller Sue Lovell , 2003 single work review
— Appears in: Australian Women's Book Review , vol. 15 no. 1 2003;

— Review of Due Preparations for the Plague Janette Turner Hospital , 2003 single work novel
1 Janette Turner Hospital's The Last Magician: 'A Feminist Nightmare'? Sue Lovell , 2002 single work criticism
— Appears in: Hecate , vol. 28 no. 2 2002; (p. 46-63)
1 y separately published work icon The Sentient Text : Posthumanist Subjectivity in the Work of Janette Turner Hospital Sue Lovell , Brisbane : 2001 Z1224965 2001 single work thesis PhD thesis for the Griffith University School of Humanities, 2001.
1 The Search for Agency in the Fiction of Janette Turner Hospital Sue Lovell , 1996 single work criticism
— Appears in: Current Tensions : Proceedings of the 18th Annual Conference : 6 - 11 July 1996 1996; (p. 204-213)
1 Untitled Sue Lovell , 1991 single work review
— Appears in: Imago , October vol. 3 no. 2 1991; (p. 93-94)

— Review of The Baby-Farmer Margaret Scott , 1990 single work novel ; Medium Flyers Penelope Nelson , 1990 single work novel
1 Dreamtime Sue Lovell , 1991 single work short story
— Appears in: Social Alternatives , December vol. 10 no. 4 1991; (p. 47-48)
1 Beyond the Horizon : Travelling With Peter Pinney Sue Lovell (interviewer), 1990 single work interview
— Appears in: The Queensland Writer , July/August vol. 2 no. 1 1990; (p. 11-12)
1 Untitled Sue Lovell , 1990 single work review
— Appears in: Imago , April vol. 2 no. 1 1990; (p. 85-86)

— Review of The Initiate Justin D'Ath , 1989 single work novel ; The Shipwreck Party Liam Davison , 1989 selected work short story
1 Untitled Sue Lovell , 1990 single work review
— Appears in: Imago , April vol. 2 no. 1 1990; (p. 87)

— Review of The Saddest Pleasure Inez Baranay , 1989 selected work short story ; D.H. Lawrence at Thirroul Joseph Davis , 1989 single work biography
1 The Pygmalion Factor : Creativity in the Novels of Janette Turner Hospital Sue Lovell , 1990 single work criticism
— Appears in: LiNQ , vol. 17 no. 1 1990; (p. 78-85)
1 Bruce Dawe - The Man Behind the Voice Sue Lovell (interviewer), 1989 single work interview
— Appears in: The Queensland Writer , Autumn vol. 1 no. 4 1989; (p. 5-6)
1 The Inheritance of Difference Sue Lovell (interviewer), 1989 single work interview
— Appears in: Imago , March vol. 1 no. 1 1989; (p. 8-9) The Queensland Writer , Summer (1989-1990) vol. 1 no. 5 1989; (p. 5-6)
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