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Ruth Gilbert Ruth Gilbert i(A74140 works by)
Gender: Female
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Works By

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1 Storitel Ruth Gilbert , 2019 single work short story science fiction
— Appears in: Andromeda Spacesways Magazine , June no. 75 2019; (p. 55-88)
1 Under the Influence Ruth Gilbert , 2018 single work short story
— Appears in: Andromeda Spaceways Magazine , June no. 71 2018; (p. 111-120)
1 My Father's Studio Ruth Gilbert , 2015 single work column
— Appears in: AIATSIS News , August 2015;
'Gracing the corridors of AIATSIS are a series of lino prints from the 1960s onwards by the late, great Wiradjuri artist, poet and writer, Kevin Gilbert. Kevin (my Dad) was noted as the first Aboriginal person to create lino print works. '
1 Grasping the Unimaginable : Recent Holocaust Novels for Children by Morris Gleitzman and John Boyne Ruth Gilbert , 2010 single work criticism
— Appears in: Children's Literature in Education , December vol. 41 no. 4 2010; (p. 355-366)

'This discussion explores the role that storytelling and stories might have in leading children towards an awareness of uncertainty and ambiguity in relation to Holocaust representation. It focuses on Morris Gleitzman’s Once (2006), its sequel Then (2008), and John Boyne’s The Boy in the Striped Pyjamas (2006) to consider the narrative techniques used to draw young readers into an understanding of the Holocaust. In particular, the discussion examines the role of silence within these narratives to suggest that a meaningful dialogue with silence is a crucial aspect in communicating the fractured nature of Holocaust history. Literature aimed at a young audience engages explicitly with the oft-cited injunction not to forget the Holocaust by setting out to inform a new generation of readers about the horrors of the Nazi genocide. In my analysis of these texts, however, I want to consider whether we should assume that such works do necessarily perform a progressive educative role. The article argues that the blunt didacticism of Boyne’s text might close down possibilities for the child reader’s imaginative engagement with the ungraspable nature of the Holocaust. In contrast, Gleitzman’s novels confront the child reader with a complex set of ideas about the relationship between narrative and subjectivity.'

1 Embassy : A Spark Worth Dying For! Kerry Reed-Gilbert , Euroka Gilbert , Kate Gilbert , Kevin Scott , Kalara Gilbert , Ellie Gilbert , Ruth Gilbert , Cora Gilbert , 2003 single work column
— Appears in: Koori Mail , 26 March no. 297 2003; (p. 15)
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