AustLit

'Sukhjit Kaur Khalsa shot to fame in Australia and around the world with her poetry on Australia's Got Talent. But before she went viral, Sukhjit was a brown, hairy Sikh girl growing up in the suburbs of Perth. Fully Sikh is her story.

'The show is a hilarious and heartfelt poetic procession through Sukhjit's life, her family and her faith, all told with her trademark lyrical flow. Fully Sikh will be a sensory feast for audiences, full of music, dance, poetry and food.'

Source: Publisher's blurb.

'The spirits you carry, they carry you too.

'Twelve-year-old Celeste arrives in China to scatter Mother’s ashes, but in no time flat is thrust into a world of magic and adventure. Celeste’s grandmother has carried on the family tradition of ghost catching, and it turns out Celeste has a knack for the hairraising pursuit too.'  (Production summary)

'When Ophelia moves with her family to the seaside, she’s not impressed. She doesn’t like the beach, misses her old home and thinks the people in this town are pretty strange. While unpacking her room she discovers a mysterious box full of gadgets, parts and pieces, and a strange note that reads ‘You. Make. Me.’ Her curiosity gets the better of her and she spends all night assembling the objects into Olivetti, a robot with a typewriter chest and an alarm clock heart. Made up of pieces, but more than the sum of her parts.

'Together Ophelia and Olivetti take on the local bully and make friends with a child so worried about allergies that he never leaves the house, all while trying to keep her dad from discovering that Olivetti is really a robot. But a bigger challenge is coming – can the pair save their friend and reunite him with his mother?

'My Robot takes audiences of all ages on a rambunctious adventure filled with robot antics, laughter, daring rescues and bewildered parents, all told with the care and artistry synonymous with Barking Gecko’s award winning shows. Children will discover that we’re all just made from pieces, and that when we feel less than whole we can find – or make – a part that fits!'

Source: Publisher's blurb.

'In this world premiere, Reinhardt Jung’s internationally lauded novel is bought to life as a thrillingly inventive and remarkable production for adults and children alike.

'This is the story of Bambert – an impossibly small man with an enormous love for writing. Tucked away in his quiet attic, his only companions are the characters he has created in his stories. And then one day, Bambert decides to set his stories free, to send them out into the world on little balloons, in the hope that they will find a home. The stories contain instructions: whoever finds them is to return them to Bambert with a stamp from wherever they landed, so he knows where they should be set. But as each day passes, and no stories return, Bambert’s hope begins to fade. Will his stories ever find a home?

'Bambert’s Book of Lost Stories brings together Australia’s most extraordinary creative minds to realise this exquisite production. At times amusing, other times melancholy, this new production reminds us how stories connect us to the world and ultimately, the power of kindness.'

'Pippa and her little brother Mo live in a caravan at the edge of the woods. Since Dad hurt his back cutting wood, the family has struggled to make ends meet. Even though they may be poor, the children are gifted with a rich imagination.

'After Pippa gets the worst birthday present ever and overhears her worried parents talking, she decides the way to help is to leave. Pippa packs her belongings and takes off into the woods, with little brother Mo hot on her heels.

'Hopelessly lost in a dark, dark wood, the pair stumble onto a lonely beach and discover a world with no rules and endless ice cream! But all is not what it seems. Pippa and Mo will have to call on all of their imaginative powers to escape!'

Source: Barking Gecko.

'John Marsden and Shaun Tan's haunting picture book tells a story we all know: a story of colonisation, civilisation and progress — a story about displacement, destruction and culture clash. And in that landscape, it tells a story of hope taking root.

'It's a story for young people, it's a story for old people, it's a story for all of us.

'Opera Australia and Barking Gecko Theatre Company have assembled some of Australia's foremost creative talents to collaborate on a new opera for children and families.

'Gabriela Tylesova's kooky sets and costumes realise Tan's pictures in all of their mystical wonder, while Lally Katz has turned Marsden's spare poetry into an enchanting libretto. To write the score, Kate Miller Heidke: the butterfly-voiced, classically-trained indie-pop singer who is as at home on the charts as she is performing at the Met. As well as composing The Rabbits, Kate will perform in this production.' (Production summary)

'Young Storm Boy lives a simple yet free life on the coastal wilds of the South Australian Coorong, combing the beaches with his reclusive father, Hideaway Tom.

'During a long summer, he makes two friends who will shepherd him from childhood into adulthood: the jester Fingerbone Bill, who teaches him about his country; and Mr Percival, an orphaned pelican who prepares Storm Boy for the wider world with a poignant lesson about love, loss and letting go.'

Source: Queensland Theatre Company.