AustLit

'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'

Source: Libraries Australia (Sighted 18/03/2011).

'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster

Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)

'In the warm alkaline waters of the public bath, a naive and headstrong young engineer accidentally collides with a breathtaking actress. From this innocent collision of flesh begins a passion that will take them from the Wiltshire Downs to the mythical source of life in Africa - and to the most elemental choices of life and death in the Australian desert.

'While the intense love story of William Dance and Angelica Lloyd is at the heart of The Drowner, it is but a part of the daring story that unfolds. By irresistibly mingling history, myth and technology with a modern cinematic and poetic imagination, Robert Drewe has reached beyond the traditions of the romance and annexed new territory.

'Such is the grand scale and original texture of The Drowner that it is at once a fable of European ambitions in an alien landscape, a magnificently sustained metaphor of water as the life and death force and, above all, an intimate and ambitious portrayal - of great resonance and haunting sensuality - of the essence of the differences between men and women.

'Lyrical and astringent, vibrant and tender, The Drowner has all the mysterious powers of a dream. Robert Drewe's seventh work of fiction shows an author at the peak of his powers demonstrating the full vigour of his artistic vision.' (Publication summary)