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y separately published work icon Southerly periodical issue   peer reviewed assertion
Issue Details: First known date: 1983... vol. 43 no. 3 September 1983 of Southerly est. 1939 Southerly
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Contents

* Contents derived from the , 1983 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Enter the Long Depression : 2i"I watch the orange hem of sky fade", Christopher Kelen , single work poetry (p. 284)
Enter the Long Depression : 3i"Back at the front", Christopher Kelen , single work poetry (p. 285)
Double Speak, Leith Callaghan , single work short story (p. 286-294)
Suburban Sonneti"The smell of Cold Power on your typing fingers,", Julian Croft , single work poetry (p. 295)
The Political Novels of Katharine Susannah Prichard : The Surrender to Ideology -- the Goldfields Trilogy and "Subtle Flame", Van Ikin , single work criticism (p. 296-312)
Elegyi"To that bed-ridden shape immersed in roses", Kate Lilley , single work poetry (p. 313)
Stamping Ground, Christine Godfrey , single work short story (p. 314-319)
A Flash of Greeni"Dazed by summer at the washing line", Kate Lilley , single work poetry (p. 319)
Katharine Susannah Prichard and Dionysos : "Bid Me to Love" and "Brumby Innes", D. Biggins , single work criticism biography

'Of Katharine Susannah Prichard's seventeen plays, some remain unproduced, most are unpublished, and two or three appear to be lost. In recent years attention has been drawn to her dramatic writing by the Currency Methuen edition of Bid Me To Love (not previously published), and the revised version of Brumby Innes (originally published in 1940). Both plays were written in 1927. The percipience of their treatment of sexuality has been remarked upon by Margaret Williams, in her review of the Pram Factory's premiere production of Brumby Innes in 1972 and by Katharine Brisbane in her Introduction to the Currency Methuen edition of the plays. Both critics stress Katharine Prichard's forward-looking approach to sexuality, especially in Brumby Innes. Miss Brisbane observes that "Brumby Innes was half a century ahead of its time in the values it gives to romance and sexuality" (p. xxv).' (Publication abstract)

(p. 320-331)
The Golden Age of Televisioni"Everyone follows", Christopher Kelen , single work poetry (p. 331)
Fate, Individual Action and the Shape of Life in Shirley Hazzard's "The Transit of Venus", E. B. Moon , single work criticism (p. 332-344)
Hyam's Beachi"How to mix words for it?", Rosemary Huisman , single work poetry (p. 345-346)
Replyi"You need only watch the overlapping slate", Jill Hellyer , single work poetry (p. 346)
Some Louis Esson Manuscripts, J. D. Hainsworth , single work criticism biography (p. 347-357)
Writer and Reader, Michael Wilding , single work review
— Review of Marcus Clarke : An Annotated Bibliography 1982 single work bibliography ;
(p. 358-359)
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