AustLit logo

AustLit

y separately published work icon Australian Poetry Journal periodical issue  
Alternative title: Art
Issue Details: First known date: 2012... vol. 2 no. 2 2012 of Australian Poetry Journal est. 2011 Australian Poetry Journal
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Ode to Joyi"First heard it live in the Pregnant Oyster", Peter Lach-Newinsky , single work poetry (p. 40)
Galleryi"I would like to walk into", Mike Ladd , single work poetry (p. 41)
June Solstice, Brisbanei"A Tibetan told me that", Rosanna Licari , single work poetry (p. 42-43)
Revisiting Yugoslavia : Rijeka, Croatiai"I don't know why but I often think", Rosanna Licari , single work poetry (p. 44)
Self Portraiti"Stripped of significance-", Cameron Lowe , single work poetry (p. 45)
The Breaki"To prevent tragedy the brush must be cut at angles", Caitlin Maling , single work poetry (p. 47)
At the Ballarat Art Galleryi"We saw these hills before their clearing", Caitlin Maling , single work poetry (p. 48)
Golfing with James Ellroyi"He's always saying we're playing", B. N. Oakman , single work poetry (p. 50)
On Zerkaloi"The prevailing sense I'm left with is that of wind, not in slow motion,", Aden Rolfe , single work poetry (p. 51)
Impromptui"Moments ago, back from the library", Peter Rose , single work poetry (p. 52)
Counterpoint with Redi"He places all his medications on the table.", Philip Salom , single work poetry (p. 53-55)
Inside with Edward Hopper, Brenda Saunders , sequence poetry (p. 56)
Room in New York, 1932i"We are in the front room upstairs. Just your usual rented brownstone.", Brenda Saunders , single work poetry (p. 56)
Nighthawksi"There's no stopping him: he went off in the middle of the night. Said he", Brenda Saunders , single work poetry (p. 56)
The Sound of Redi"Lit from above eight dense and brooding panels", Brenda Saunders , single work poetry (p. 57)
Trio with No Minueti"On this frosty mid-morning in August", Alex Skovron , single work poetry (p. 58)
A Comma Taili"A row of semicolons lifted off under", Alex Skovron , single work poetry (p. 59)
The Artist & His Modeli"Each thing on earth shapes the only", Mark Tredinnick , single work poetry (p. 60-61)
An Action. A Practice.i"Starry night - vertigo of the infinite - and the self recoils in horror/dread", Dan Disney , single work poetry (p. 62)
Spotlight on Francis Webb, Robert Adamson , single work criticism
Francis Webb burst onto the Australian poetry scene in 1948 with his first book, A Drum for Ben Boyd. He followed this with Leichhardt in Theatre three years later. Right from the start it was impossible to ignore him. The poem 'Morgan's Country' - an inner-portrait of Dan 'mad-dog' Morgan in which Webb seems to enter the outlaw's consciousness - is an innovative work that ran against the grain for an Australian poem in 1950. However, instead of embellishing a bushranger myth as Nolan did with his images of Ned Kelly, Webb strips away traces of narrative and then focuses on tiny details in a filmic way: 'At the window sill/ A blowfly strums on two strings of air'. (Author's introduction 65)
(p. 65-66)
X