'Throat is the explosive second poetry collection from award-winning Mununjali Yugambeh writer Ellen van Neerven. Exploring love, language and land, van Neerven flexes their distinctive muscles and shines alight on Australia’s unreconciled past and precarious present with humour and heart. Van Neerven is unsparing in the interrogation of colonial impulse, and fiercely loyal to telling the stories that make us who we are.'

Source: Publisher's blurb.

'Enfolded in the Wings of a Great Darkness represents a new departure in my writing. It is a single book-length poem made up of fragments and shorter pieces in varied styles that build towards the last line, which is the book's title. I have aimed at a sparse, open simplicity in this book, a clarity and brevity sufficient to carry the weight of the space I am now in, with my illnesses, my partner's cancer and the acute sense of time's limits. The poems question what it might mean to live and write in the immediate knowledge of death, what response we can find when out of the blue we, or the one we love, are told we have a very limited time, three or five years, to live. At the artistic as well as the personal level, there is also a need for balance in the work, as beauty, tenderness, the presence of the natural world, light as well as dark, insist on their place in the poem.'

Source: Author's blurb.

'Bishop’s attentive poetic gaze unfailingly reveals the luminous. In Interval, her poems – many addressed to a lover, or to children – explore intimacy, solitude and the ‘chemical mess’ of human love. As Carl Phillips said of Event, ‘These are splendid poems indeed, whose intelligence, vision, and sheer beauty at every turn persuade.’ '  (Publication summary)

'This innovative full-length collection, drawing inspiration from the surrealist collage novels of Max Ernst, is an arresting and utterly unique assemblage of poetry, collage and photography. In two parts, the book engages with themes of travel and exploration, language and loss, identity and originality, as well as the relationship between poetry and other disciplines: the visual arts, history, literature and film. Polyglot in sensibility and content, and daring in construction, Argosy defies categorisation. Grounded firmly in Australian contemporary poetic practice, the book is also outward-looking in its approach to form and content; it constitutes a landmark in both local and international poetics.' (Publication Summary)

'Eleven fictive poets from Latin America, France and Québec. Their poems, interviews, biographies and letters weave images of diverse lives and poetics. In the tradition of Fernando Pessoa, Boyle presents an array of at times humorous, at times tormented heteronymous poets. In their varied voices and styles, writing as they do across the span of the 20th Century and into the 21st , these haunted and haunting figures offer one of poetry’s oldest gifts – to sing beauty in the face of death. In all this Boyle, their fictive translator, is deeply enmeshed.' (Publication summary)