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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Fanciful Indigeneity
2012
single work
criticism
— Appears in: Engaging with Literature of Commitment : The Worldly Scholar (Volume 2) 2012; (p. 119-128) 'Some time ago, I wrote an article entitled 'On Not Being Australian.' In it I explored the problem of Helen Demidenko and Mudrooroo. These two very well-known and award-winning Australian authors had been revealed as other than they claimed to be. Demidenko, not a Ukranian but, rather, just another Anglo-Australian, seemed simply deceitful, but Mudrooroo was a black street kid who had been treated as Aboriginal and was later proven to be, most likely, of African-American ancestry. I asserted in the article that the uproar over the false identities was wrapped up in the Australian need for those identities, Demidenko as the quintessential immigrant and Mudrooroo as the voice of Aboriginal Australia.' (Author's introduction 119) -
"Once Upon a Patriachy" : Cultural Translation in the Poetry of Romaine Moreton
2010
single work
criticism
— Appears in: Partnership Id-Entities : Cultural and Literary Re-Insciption/s of the Feminine 2010; (p. 31-44)
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"Once Upon a Patriachy" : Cultural Translation in the Poetry of Romaine Moreton
2010
single work
criticism
— Appears in: Partnership Id-Entities : Cultural and Literary Re-Insciption/s of the Feminine 2010; (p. 31-44) -
Fanciful Indigeneity
2012
single work
criticism
— Appears in: Engaging with Literature of Commitment : The Worldly Scholar (Volume 2) 2012; (p. 119-128) 'Some time ago, I wrote an article entitled 'On Not Being Australian.' In it I explored the problem of Helen Demidenko and Mudrooroo. These two very well-known and award-winning Australian authors had been revealed as other than they claimed to be. Demidenko, not a Ukranian but, rather, just another Anglo-Australian, seemed simply deceitful, but Mudrooroo was a black street kid who had been treated as Aboriginal and was later proven to be, most likely, of African-American ancestry. I asserted in the article that the uproar over the false identities was wrapped up in the Australian need for those identities, Demidenko as the quintessential immigrant and Mudrooroo as the voice of Aboriginal Australia.' (Author's introduction 119)
Last amended 7 Dec 2004 10:07:29
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