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1 Unconventional Memoirs : Mary Fortune’s Account of Life on the Diggings Alice Michel , 2020 single work criticism
— Appears in: Commonwealth : Essays and Studies , vol. 43 no. 1 2020;

'In “Twenty-Six Years Ago: or, the Diggings from ’55,” published in The Australian Journal (1882-83), Waif Wander (Mary Fortune’s pen name) provides an autobiographical account of an unconventional woman’s life on the Australian goldfields. This article seeks to stress the unconventionality of Mary Fortune’s memoirs, written beyond norms of genre and gender, in order to contribute to their re-evaluation. It addresses Fortune’s exclusion from the Australian literary histories as well as her eccentric and marginal way of life.' (Publication abstract)

1 Convergence and Divergence in Ada Cambridge's 'A Woman's Friendship Alice Michel , 2018 single work criticism
— Appears in: Commonwealth Essays and Studies , Spring vol. 40 no. 2 2018; (p. 33-42)

'Although Ada Cambridge is a major writer of the colonial period, she has long been neglected in Australian literary history. Her serial novel 'A Woman's Friendship', published in the Melbourne paper 'The Age' (August-October 1889), was widely read and circulated and, as such, offered a way in the social and gender debates of the time. This paper aims to reflect on Cambridge's ambivalent representation of female characters and gender issues in the 1880s Australian society, oscillating between convergence and divergence with conventions, and between conformism and radicalism.' (Publication abstract)

 

1 Hidden Fortunes of Colonial Australian Popular Fiction : Women in Mary Fortune's "Dora Carleton" Alice Michel , 2016 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 7 no. 1 2016;
'The Australian fictional archives contain a wealth of fictions from the colonial period, most of them serially published in journals, and often neglected in Australian literary history. However, fiction by colonial women writers reveals much about women’s social status at the time and early feminist claims. Among them can be found Mary Fortune’s (“Waif Wander”) serial novel “Dora Carleton,” published in The Australian Journal in 1866. The aim of this paper is to reflect on Australia’s neglected wealth of colonial women’s fictions and their potential re-evaluation as more than examples of the minor genres they seem to belong to, through the instance of the recovery of Fortune’s neglected text. This paper shows that the serial, anchored as it is in the historical context of the colony of Victoria, uses the conventions of the popular genre of the sensation novel to question gender differences, and that furthermore it can be read as an early New Woman novel.' (Publication abstract)
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