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Yen-Rong Wong Yen-Rong Wong i(10737443 works by)
Gender: Female
Heritage: Malaysian Chinese
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Works By

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1 [Review] Return to the Dirt Yen-Rong Wong , 2021 single work review
— Appears in: The Saturday Paper , 5-12 November 2021;

— Review of Return to the Dirt Steve Pirie , 2021 single work drama
'Sometimes, as Steve Pirie’s play Return to the Dirt demonstrates, the best way to talk about death is through humour.'
1 Dreams of Real Life Yen-Rong Wong , 2021 single work review
— Appears in: The Saturday Paper , 11-17 September 2021;

— Review of Boy Swallows Universe Tim McGarry , 2020 single work drama
'The stage adaptation of Boy Swallows Universe is a celebration of Brisbane – the good, the bad and the ugly. By Yen-Rong Wong.'
1 Legal Bias Yen-Rong Wong , 2021 single work review
— Appears in: The Saturday Paper , 31 July-6 August 2021;

— Review of Prima Facie Suzie Miller , 2019 single work drama

'Suzie Miller’s powerful one-woman play Prima Facie explores how sexual assault victims are let down by the legal system.'

1 Skin Deep Yen-Rong Wong , 2021 single work review
— Appears in: The Saturday Paper , 26 June - 2 July 2021;

— Review of White Pearl Anchuli Felicia King , 2018 single work drama
1 Karuna’s Story : On the Depths of a Mother’s Love Yen-Rong Wong , 2021 single work review
— Appears in: Australian Book Review , June no. 432 2021; (p. 39)

— Review of One Hundred Days Alice Pung , 2021 single work novel

'It’s difficult to describe what it’s like to be raised in a Chinese family, especially when you are surrounded by markers of Western society. There is no such thing as talking back to your parents or refusing to do what they say. As a child, I never went to sleepovers. During my teenage and young adult years, I felt increasingly trapped in my own home. Everything I did was scrutinised; my parents never seemed to take into account my wants or needs. I found myself grasping for any scrap of independence, usually through lying or stealing or a combination of the two. As children, we are continually told that adults do things to protect us, especially when they are things we don’t particularly like. But when does protection morph into something uglier? When does it smother us, as if our agency has been stripped from us?' (Introduction)

1 Yellow Fever Yen-Rong Wong , 2021 single work
— Appears in: Meanjin , Autumn vol. 80 no. 1 2021;

'Yellow might be a simple colour—the third colour of the rainbow—but it means different things to different people. For some, it conjures up the image of daffodils, for others, the Kraft cheese singles wrapped in plastic that were the staple of every primary school kid’s lunchbox in the 1990s and early 2000s. For others still, it might be the doors of the Queensland Rail trains, ever slow to open, ever fast to close. In colour psychology, the right yellow can increase optimism, self-esteem, confidence, friendliness, creativity. However, the wrong yellow can result in feelings of fear, irrationality and anxiety.' (Introduction)

1 Sons, Sand and Surf Yen-Rong Wong , 2020 single work column
— Appears in: The Saturday Paper , 28 November - 4 December 2020;

'Behind the dad jokes, Queensland Theatre’s The Holidays is an ambitious play about family connection through dark times. By Yen-Rong Wong.'

1 Junk Mail Yen-Rong Wong , 2020 single work essay
— Appears in: Sydney Review of Books , October 2020;
'It’s hard for me to imagine my childhood without junk mail. I was a voracious reader, and that meant reading everything in sight, including the catalogues that seemed to turn up at our house every week. I read them at the dinner table, because I wasn’t allowed to read books during dinner. I wasn’t so much reading the junk mail as skimming, and sometimes I read it while watching my favourite shows, a respite from the relentless repetitiveness of TV ads.'
1 The Trauma of Discipline : What Constitutes a Reasonable Chastisement? Yen-Rong Wong , 2019 single work autobiography
— Appears in: Griffith Review , August no. 65 2019;
1 David Carlin and Francesca Rendle-Short, Eds. The Near and the Far : New Stories from the Asia-Pacific Region Yen-Rong Wong , 2017 single work essay
— Appears in: Southerly , vol. 77 no. 2 2017; (p. 264-267)

'I am a child of Malaysian-Chinese parents, but was born and raised in Australia. Throughout my childhood (and, to be honest, even now), I never truly felt comfortable within the categories of “Malaysian,” “Chinese,” or “Australian.” I languished in the hyphenated mess that was Malaysian-Chinese-Australian, afraid i would never truly belong. so when I encountered the term “diaspora,” i felt something inside me breathe a sigh of relief. but even though I had a name for what I was feeling, it didn’t necessarily resolve my confusion around my identity.' (Introduction)

1 Livin’ on a Prayer Yen-Rong Wong , 2017 single work prose
— Appears in: Tincture Journal , Summer no. 20 2017; (p. 31-39)
1 Cultural Appropriation a Year After Shriver Furore Yen-Rong Wong , 2017 single work essay
— Appears in: Eureka Street , 10 September vol. 27 no. 18 2017; (p. 59-61)

'A little over a year ago, Lionel Shriver delivered the opening address at the Brisbane 'Writers Festival, where she notoriously derided political correctness and defended the practice of cultural appropriation by white writers. A little over a year ago, I wrote a blog post responding to what she'd said. I wrote it while I was walking to the train station, while I was on the train, and while I was walking home from the train station. I was angry, but I somehow managed to temper my anger.' (Introduction)

1 1 y separately published work icon Pencilled In Yen-Rong Wong (editor), Brisbane : 2017 11362075 2017 periodical (3 issues)
1 Monkey Business Yen-Rong Wong , 2017 single work essay
— Appears in: Overland [Online] , June 2017;
'Chinese folktales coloured much of my childhood. From the tale of Chang’e and the moon to nian and its link to the traditions of Chinese New Year, my parents were insistent that my sister and I be exposed to all sorts of stories. I watched a serialised, Chinese drama version of wo hu chang long (Crouching Tiger, Hidden Dragon), a far cry from the English version that was pedalled out to the Western world. And of course, there was xi you ji (Journey to the West).' (Introduction)
1 Single Asian Female Review – No Topic Is Taboo in Michelle Law's Impressive Debut Yen-Rong Wong , 2017 single work review essay
— Appears in: The Guardian Australia , 16 February 2017;
'From Hello Kitty to Pauline Hanson, the play tackles racial stereotypes, family and romance on the Sunshine Coast with sensitivity and humour.'
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