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'Stark, radiant imagery; lean punctuation; the slightly disorienting effect of the syntax; an imaginative vision of sensuous waking life enmeshed in subterranean realms of memory and dream, struck me on my first encounter with Australian poet Antigone Kefala’s work: an English-Greek bilingual edition I stumbled across several years ago containing selections from each of her then published collections, The Alien (1973), Thirsty Weather (1978), European Notebook (1988), and Absence(1992). Fragments (2016) represents Kefala’s first collection of new poems in more than twenty years. Like those earlier collections, Fragments effects Banksy’s famous maxim, that ‘art should…disturb the comfortable’.' (Introduction)
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Last amended 5 May 2017 10:01:52
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Dimitra Harvey Reviews Fragments by Antigone Kefala
Mascara Literary Review