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Priyanka Shivadas (International) assertion Priyanka Shivadas i(11565063 works by)
Gender: Female
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1 Reading Indigenous Australian Literature Transnationally : Juxtaposing Dark Emu and Kocharethi Priyanka Shivadas , 2021 single work criticism
— Appears in: JASAL , vol. 21 no. 2 2021;

'This essay is an enquiry into literary subversions of the colonial myth that civilization began with recognizable forms of labour practiced under sedentary agriculture and that land rights rest with precisely those who built complex systems of farming on fixed territory year after year. It draws from my doctoral research on the intersections between Indigenous literature produced in Australia and India. In Australia, Indigenous peoples were en masse labelled as hunter-gatherers or nomads as opposed to the colonists who arrived in 1770. Historian Prathama Banerjee has noted that in India, ‘those who came to be classified as tribes in modern times were precisely communities who were not fully identifiable as sedentary cultivators, though many communities were indeed agriculturists of various sorts, and therefore could not be mobilized simply in the name of labour and productivity’ (11-12). In a revisionist mode, Bunurong, Yuin, Tasmanian historian and author Bruce Pascoe’s Dark Emu (2014) and Malayarayar writer Narayan’s Kocharethi (2011) challenge us to rethink concepts of land rights, ownership, wasteland vs. agricultural land, and human labour. By presenting a transnational reading of Dark Emu and Kocharethi, this essay intends to explore how land-labour relations have been imagined, valued and practiced within Indigenous literatures and how writers continue to resist colonial and (post)colonial ideas on the same.'  (Publication abstract)

1 On Narratology and Politics of Cultural Memory in That Deadman Dance Priyanka Shivadas , 2016 single work criticism
— Appears in: Narratives of Estrangement and Belonging : Indo-Australian Perspectives 2016; (p. 164-179)

Priyanka Shivadas explores 'how cultural memory is constructed or recalled in literary narratives fro a people such as the Noongar who were historically uprooted from their past.' (166)

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