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Issue Details: First known date: 2017... 2017 The Kadaitcha Sung : Towards Native Slipstream
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AbstractHistoryArchive Description

'Sam Watson is a well-known activist, lecturer, poet, novelist, playwright and film producer from the Birri-Gubba and Munaldjali nations. He belongs to the generation of Aboriginal activists and spokespeople who paved the way for future generations, with his active engagement in 1960s political activism against the White Australia Policy, the 1967 Referendum, the Gurindji land rights struggle, and more recently, advancing Aboriginal access to legal, medical and housing services. Amidst these political and cultural engagements, Watson wrote The Kadaitcha Sung . The novel was published in 1990 and generated a cornucopia of responses. As a “pre Master-of-the- Ghost-Dreaming ” novel, The Kadaitcha Sung was an Aboriginal literary novum, as there was nothing to prepare the reader for such a hybridity of genres used to speak bluntly about colonisation. Even when Mudrooroo’s Master appeared a year later, in 1991, the magical realist work was an easy read compared to Watson’s The Kadaitcha Sung . This contributed to one of the novel’s distinctive aspects: even though it has long since been out of print, it is still being discussed by new generations of scholars. No other pre twenty-first-century Aboriginal novel has attracted attention for so long.'

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Futuristic Worlds in Australian Aboriginal Fiction Iva Polak , Oxford : Peter Lang , 2017 11187111 2017 multi chapter work criticism

    'This is the first study that brings together the theory of the fantastic with the vibrant corpus of Australian Aboriginal fiction on futurities. Selected works by Ellen van Neerven, Sam Watson, Archie Weller, Eric Willmot and Alexis Wright are analysed as fictional prose texts that construct alternative future worlds. They offer a distinctive contribution to the relatively new field of non-mainstream science fiction that has entered the critical domain of late, often under the title of postcolonial science fiction. The structures of these alternative worlds reveal a relationship - sometimes straightforward, sometimes more complex - with the established paradigms of the genre. The novelty of their stories comes from the authors' cultural memory and experience of having survived the «end of the world» brought about by colonisation. Their answers to our futurity contain different novums that debunk the myth of progress in order to raise the issue of a future without a human face.' (Publication summary)

    Oxford : Peter Lang , 2017
    pg. 159-188
Last amended 23 Aug 2017 11:32:14
159-188 The Kadaitcha Sung : Towards Native Slipstreamsmall AustLit logo
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