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Issue Details: First known date: 1989... 1989 Nurlu Songs from the West Kimberley : An Introduction
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AbstractHistoryArchive Description

'In the introduction to his article 'Mystery and Change' (1987), Peter Sutton, while noting with implicit approval that ethnomusicology seems to be shifting away from 'close descriptions and essentially musicological analyses of Aboriginal songs' towards a 'deeper and more balanced approach' that investigates 'the relationships between music and the wider context of Aboriginal culture', states that 'there are always good reasons for some continuance of narrow and formalist studies of cultural expression' (1987:77). Sutton's article then goes on to discuss regularities and irregularities in song performance rights, song language, song text stability, and the ways in which song texts and their sequences relate to the events in accompanying mythological explanations. H e suggests that exceptions to the regularities proposed by Aboriginal theories are essential to the vitality of the culture: 'it is the dialectical interplay between regularities and irregularities which constitutes the system' (ibid.:88); and he concludes that a truly unchanging musical system (as appears to be proposed by Central Australian cosmology, and implicitly, by some ethnomusicologists) 'would have had far-ranging destructive effects on a traditional Aboriginal community. An evolving musical tradition in such a society is not merely decorative but essential' (ibid.:90).'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Aboriginal Studies no. 1 1989 11960108 1989 periodical issue

    'The day I was finalising this edition of Australian Aboriginal Studies a book about Aboriginal music landed on my desk. Our Place, Our Music (edited by M . Breen, Aboriginal Studies Press 1989) arrived too late to be reviewed here, but no doubt it will receive the attention it deserves in a subsequent edition. Its significance in the context of some of the pages that follow here is that it is a further addition to an area of Aboriginal and Torres Strait Islander Studies which seems to be under-represented. It had been my intention in editing a volume that had music as a theme to elicit some substantial contributions discussing the new music that Aborigines and Torres Strait Islanders are producing today. I was not particularly successful. This is not to denigrate those excellent studies of so called 'traditional' music, of which the first two papers are good examples. However, there is an apparent lack of material available on electronic music (for example) and other popular contemporary genres. Despite requests fired in various directions, I was unable to secure papers on any of these topics. Perhaps those who contemplate research in the arts field generally will be inspired to fill this gap. Having listened on many occasions to the thump and rhythm of electric soul across the tropic twilight of a number of Arnhem Land communities, I wonder how anyone interested in music and modern social movements could resist this as a research topic.' (Editorial introduction)

    1989
    pg. 2-11
Last amended 28 Sep 2017 09:41:29
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