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I Guess What You Say Is True single work   autobiography  
Issue Details: First known date: 2017... 2017 I Guess What You Say Is True
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AbstractHistoryArchive Description

'This work of non-fiction struggles with the technical and ethical difficulties of representing the former Yugoslavia, an area that has experienced deep trauma and that is at a remove from the author’s experience. The author-narrator confronts the challenges of representing others’ trauma in an oblique way: focusing on his own life in Melbourne and his responses to Yugoslavia’s past; critiquing narrative forms and particular literary works that represent the trauma, namely those of the Bosnian-American writers Aleksandar Hemon and Semezdin Mehmedinović; and acknowledging the vexed framework of the creative-writing PhD for which the reflection was produced.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Life Writing vol. 14 no. 3 2017 12015624 2017 periodical issue

    'As my co-editor Maria Takolander writes elsewhere in this collection, ‘Life writing has long been theorised in terms of its limits’. Indeed, one might say that a concern with limits brought the field of life-writing studies into being. The rise of auto/biography studies (the forerunner of life-writing studies) in the 1970s and 80s was in large part a concern with the generic and disciplinary limits of what constituted both auto/biography and ‘Literature’. This was despite Paul de Man’s warning that attempts to define autobiography in terms of genre ‘seem to founder in questions that are both pointless and unanswerable’ (919). Philippe Lejeune sought to circumvent such definitional problems by attending to autobiography as a mode of reading, and (famously) understood the relationship between autobiographer and reader as a ‘pact’ (a formal agreement of limitations). Lejeune’s legal metaphor and structuralist approach, though, was far from reductive. His conclusion that autobiography is a ‘historically variable contractual effect’ (30) effectively draws attention to the limits of proposing limits.'  (Editorial introduction)

    2017
    pg. 387-400
Last amended 13 Oct 2017 08:19:48
Subjects:
  • c
    Bosnia & Herzegovina,
    c
    c
    Ex Yugoslavia,
    c
    Eastern Europe, Europe,
  • Sarajevo,
    c
    Bosnia & Herzegovina,
    c
    c
    Ex Yugoslavia,
    c
    Eastern Europe, Europe,
  • Melbourne, Victoria,
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