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Issue Details: First known date: 2016... 2016 What Ifs and Idle Daydreaming : The Creative Processes of Andrew McGahan
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AbstractHistoryArchive Description

'Andrew McGahan is one of Queensland's most successful novelists. Over the past 23 years, he has published six adult novels and three novels in his Ship Kings series for young adults. McGahan's debut novel, Praise(1992), won the Vogel National Literary Award for an unpublished manuscript, Last Drinks (2000) won the Ned Kelly Award for Crime Writing, and The White Earth went on to win the Miles Franklin Literary Award, The Age Book of the Year Award and the Courier-Mail Book of the Year Award, and was shortlisted for the Queensland Premier's Literary Awards. In 2009, Wonders of a Godless World earned McGahan the Best Science Fiction Novel in the Aurealis Awards for Excellence in Australian Speculative Fiction. McGahan's unashamedly open critiques of Australian, and specifically Queensland, society have imbued his works with a sense of place and space that is a unique trait of his writing. In this interview, McGahan allows us a brief visit into the mind of one of Australia's pre-eminent contemporary authors, shedding light on the ‘what ifs’ and ‘idle daydreaming’ that have pushed his ideas from periphery to page.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Queensland Review vol. 23 no. 1 June 2016 12016999 2016 periodical issue

    'This issue's cover image, ‘Parallel Universe: Stones Corner’, comes from the Museum of Brisbane exhibition, Navigating Norman Creek. Trish FitzSimons created a series of short documentaries that reveal the natural and social ecosystems sustained by Norman Creek, even as the city encroaches ever closer and more densely. The overhanging branches of her arresting image form a barrier that protects the stream, its wildlife and the local people who use the creek for recreation and dreaming. It also suggests that this place has survived because there is something impenetrable about it. This image sets up a theme about habitat and dwelling that loosely links the essays in this issue.' (Editorial introduction)

    2016
    pg. 62-71
Last amended 13 Oct 2017 12:24:50
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