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2 10 y separately published work icon The Conversation David Brooks , St Lucia : University of Queensland Press , 2012 Z1890493 2012 single work novel 'Two strangers meet in a restaurant in a piazza in the Italian city of Trieste. Stephen, an Australian engineer living in Paris, and Irena, an Italian translator, share a meal and exchange stories in an atmosphere of geniality and refinement.

'As the story gradually unfolds in conversation, the reader is treated to Brooks' effortless reflections on culture, language, history, art, love and desire, and all of the thoughts and sensations that strike an Australian in Europe. The play of culture, philosophy and food is reminiscent of John Lanchester's brilliant The Debt to Pleasure. The chapter titles, Antipasti, followed by Primi Piatti, and Insalata etc., add to the atmosphere of delightful indulgence.' (From the publisher's website.)
2 12 y separately published work icon The Fern Tattoo: A Novel David Brooks , St Lucia : University of Queensland Press , 2007 Z1409320 2007 single work novel

A century of family secrets starts to unravel when Benedict Waters is summoned to an audience with an old friend of his mother. He is seduced by her storytelling and it takes time and an astonishing revelation before he realises that it is his own family he has been hearing about, his own life that is being undone. - back cover

6 2 y separately published work icon Sarah's Heavy Heart Peter Carnavas , Peter Carnavas (illustrator), Frenchs Forest : New Frontier , 2009 Z1630753 2009 single work picture book children's " 'Sarah knew the heart would always be hers to carry. She just wished it wasn't so heavy.' A magical story about a little girl's search for friendship and love." (Source: publisher's website.)
36 71 y separately published work icon The Book Thief Markus Zusak , Sydney : Picador , 2005 Z1214315 2005 single work novel historical fiction (taught in 8 units)

'It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger and her younger brother are being taken by their mother to live with a foster family outside Munich. Liesel's father was taken away on the breath of a single, unfamiliar word - Kommunist - and Liesel sees the fear of a similar fate in her mother's eyes. On the journey, Death visits the young boy, and notices Liesel. It will be the first of many near encounters. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down.'

[Source: Libraries Australia. Sighted 30/10/08]

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