AustLit

'The histories of Australian Aboriginal and African American peoples have been disregarded for more than two centuries. In the 1960s, Aboriginal and African American civil rights activists addressed this neglect. Each endeavoured to write a critical version of history that included their people(s). This article highlights the role of Aboriginal Australian poet Oodgeroo Noonuccal (formerly Kath Walker) (1920–93) and African American poet Sonia Sanchez (born 1934) in reviving their peoples’ history. Using Deleuze and Guattari's concept of ‘minor literature’, the essay shows how these poets deterritorialise the English language and English poetry and exploit their own poetries as counter-histories to record milestone events in the history of their peoples. It will also highlight the importance of these accounts in this ‘history war’. It examines selected poems from Oodgeroo's My People: A Kath Walker Collection and Sanchez's Home Coming and We A BaddDDD People to demonstrate that similarities in their poetic themes are the result of a common awareness of a global movement of black resistance. This shared awareness is significant despite the fact that the poets have different ethnicities and little direct literary impact upon each other.'

Source: Abstract.

'Aboriginal Australian and African American poets of the Civil Rights movements of the 1960s and beyond were prominent in the connected struggles of their peoples. The poetry of some of these poets displays common elements that enable a comparative reading of their work. This essay traces the influence of poets from the African American Black Arts movement on the work of Aboriginal Australian poet Lionel Fogarty (born 1958). It proposes that the radical poetic structures of Fogarty’s poems share common features with those of African American poets such as Everett LeRoi Jones (later Amiri Baraka) (1934-2014) and Sonia Sanchez (born 1934). The explicitly militant tone in many of these poems can also be linked to the ideas of Malcolm Little (later Malcolm X). The essay examines the role of poetry in the political struggle of Aboriginal and African American communities and addresses issues of literary sovereignty by placing Aboriginal poetry within a transitional discourse concerning the struggle for civil rights.'  (Publication abstract)