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Rachel Spencer Rachel Spencer i(12941879 works by)
Gender: Female
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1 Troubling Narratives of True Crime: Helen Garner’s This House of Grief and Megan Norris’s On Father’s Day Rachel Spencer , 2018 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 50 2018;

'The story of three little boys who drowned in a dam on Father’s Day in 2005 is sad and shocking. After two long trials, Robert Farquharson was found guilty of the murders of his three sons and imprisoned for 33 years. This paper will examine works by two authors who tell this same story, each in a different way and from different perspectives. Helen Garner and Megan Norris both explore this tragic true crime by presenting two quite different grief narratives. Both are courtroom narratives that simultaneously question and explain the court system, but their respective examinations of grief, despair and fractured lives have resulted in two very different approaches. The article examines the narrative choices made by each author. It suggests that writers of such narratives bear a heavy responsibility towards the characters they portray as well as towards their readers, many of whom are not familiar with court processes and the criminal justice system.' (Publication abstract)

1 Dignifying the Poisoned Chalice : The Ethical Challenges of Using Archival Material in a Narrative about Death and Arsenic Rachel Spencer , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 45 2017;

'In 1981, the trial of Emily Perry in the Supreme Court of South Australia for the attempted murder of her husband by arsenic poisoning was a legal and media sensation. During her trial, strong circumstantial evidence was produced linking her with the deaths by arsenic poisoning of three other men. This article will explore aspects of the process of writing a true crime narrative in relation to writing about real deaths from a particularly brutal and painful case. It will also examine why the confrontational aspect of original archival material was important for the author to fully appreciate the moral challenge of writing about unsolved murder.'  (Publication abstract)

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