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'The prospect of death is one of J. M. Coetzee’s central and enduring concerns. As David Attwell observes in his biography, ‘The most trenchant of the purposes of Coetzee’s metafiction . . . is that it is a means whereby he challenges himself with sharply existential questions’. My claim in this essay is that Coetzee uses the act of writing existentially to orient himself and his readers to the prospect of death. I argue that Coetzee treats the myth of Orpheus and Eurydice as a story about how to deal with the prospect of death. What seems to terrify the Coetzeean protagonist is the thought of the absolute solitariness of death. I call this the curse of Eurydice. Eurydice’s fate in the myth is to be left alone in the Underworld, dying for a second time after her impatient lover turns to gaze at her before they have safely reached the surface of the earth. To take Eurydice’s point of view in the story is to begin to glimpse the solitariness of death. One of the roles of women in Coetzee’s fiction, I suggest, is to mitigate the male character’s fear of this solitariness by conducting him to the threshold of death, but no further.' (Publication abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
- Dusklands 1974 single work novel
- Life & Times of Michael K 1974 single work novel
- Age of Iron 1990 single work novel
- The Master of Petersburg 1994 single work novel
- Boyhood : Scenes from Provincial Life 1997 single work novel
- Disgrace 1999 single work novel
- Slow Man 2005 single work novel
- Diary of a Bad Year 2007 single work novel