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AbstractHistoryArchive Description
'Natalie Rose, Mish Grigor and Zoë Coombs Marr sure talk a lot of shit. First loves, bowel movements, birthing moans and the global financial crisis: they tackle the messy issues, and it’s all on tape.
'post are an acclaimed collective known for fiercely intelligent and entertaining theatre. In this colossal act of self-examination, Nat, Mish and Zoë fast-forward through 10 years of camaraderie and captured key moments, embarrassing, hilarious and profound.
'In a single sprawling conversation, the three post women come of age and a decade of history is distilled to gleeful incomprehensibility and wild revelations.'
Source: Malthouse Theatre.
Notes
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Green Room Awards:
- Ensemble: nominated.
Production Details
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Produced by Malthouse Theatre for their 2018 season, 5-23 September 2018.
Directors and Cast: post (Zoë Coombs Marr, Natalie Rose & Mish Grigor).
Set & Costume Design: Michael Hankin.
Lighting Design: Fausto Brusamolino.
Sound Design & Composition: James Brown.
Dramaturgy: Anne-Louise Sarks.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Interview With Zoe Coombs Marr
2019
single work
interview
— Appears in: Australasian Drama Studies , October no. 75 2019; (p. 101-125)'Zoe Coombs Marr is a multi-award-winning standup comedian, writer, director and theatre-maker. Since Trigger Warning, Zoe has retired Dave and returned to standup as herself. Whereas Trigger Warning was about public shaming, which again is a lot about the audience: how do you manifest that idea in the space through the framework the jokes hang off? Even when I'm making theatre, I'm aiming to making the audience laugh.' (Publication abstract)
-
Interview With Zoe Coombs Marr
2019
single work
interview
— Appears in: Australasian Drama Studies , October no. 75 2019; (p. 101-125)'Zoe Coombs Marr is a multi-award-winning standup comedian, writer, director and theatre-maker. Since Trigger Warning, Zoe has retired Dave and returned to standup as herself. Whereas Trigger Warning was about public shaming, which again is a lot about the audience: how do you manifest that idea in the space through the framework the jokes hang off? Even when I'm making theatre, I'm aiming to making the audience laugh.' (Publication abstract)
