AustLit logo

AustLit

y separately published work icon Journal of Postcolonial Writing periodical issue   peer reviewed assertion
Issue Details: First known date: 2018... vol. 54 no. 2 2018 of Journal of Postcolonial Writing est. 2005- Journal of Postcolonial Writing
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'This issue of the Journal of Postcolonial Writing brings together a heterogeneous group of articles on Caribbean writing, cyberpunk fiction, Bengali science fiction, language use in Amitav Ghosh’s novels and the redemptive politics of recent Australian writing. It furthermore includes one article on African poetry and music and two pieces on Arab writing, a postcolonial reassessment of the Latin American literary tradition of the marvellous real and closes with an interview by Vanessa Guignery with one of postcolonial studies’ most canonical writers, Salman Rushdie.' (Editorial introduction)

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2018 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Looking for Othello’s Pearl in Gail Jones’s Sorry (2007) : Symbolic and Intertextual Questioning of the Notion of “settler Envy”, Pilar Royo Grasa , single work criticism

'The turn of the century has witnessed a proliferation of the publication of the so-called “sorry novels”, “fictions of reconciliation” and “saying sorry texts” in the Australian literary context. In contrast to the arguments which define these texts as plausible examples of “settler envy”, this article highlights their dissenting and reconciling power in Gail Jones’s Sorry  by offering an in-depth analysis and discussion of the meaning and function of the intertextual allusions to Shakespeare’s Othello and the use of symbols in the novel.' (Introduction)

(p. 200-213)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 23 Apr 2018 13:12:08
Newspapers:
    Powered by Trove
    X