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Forms of Life for Meaghan Morris single work   criticism  
  • Author:agent Pamela Brown
Issue Details: First known date: 2018... 2018 Forms of Life for Meaghan Morris
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'Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry because of all the empty space on the page. A quarter of a century ago in 1992, in Ecstasy and Economics: American Essays for John Forbes, she said she was ‘a desultory reader of poetry’ and that reading poetry might induce a ‘scary cultural estrangement’.  In the foreword, she extrapolates the ‘awkward’ place of poetry in cultural studies then as being more an American problem than an Australian one but nearly a quarter of a century later I wonder if poetry has made an individuated local spot for itself, or even if it cares to. I mean, ‘should poetry worry?’' (Introduction)

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    y separately published work icon Cultural Studies Review Meaghan vol. 24 no. 1 March 2018 13796566 2018 periodical issue

    'It had to be ‘Meaghan’. The title of this edition of Cultural Studies Review is our salute to the work of Meaghan Morris and her lasting influence. That legacy is directly addressed in the collection of written works that emerged from the Meaghan Morris Festival held in 2016 (co-edited by Prudence Black, Stephen Muecke and Catherine Driscoll) but it is also echoed in the essays and reviews that are gathered within, that in their very mix speak to the particular tradition of cultural studies, Australian and otherwise, that Meaghan Morris helped so much to create.' (Introduction)

    pg. 26–30
Last amended 26 Apr 2018 08:41:06
26–30 Forms of Life for Meaghan Morrissmall AustLit logo Cultural Studies Review
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  • Hi Fax Pamela Brown , 2016 single work poetry
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