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'For the last 40 years or so, the Walakandha wangga, a repertory composed collaboratively by a number of Marri Tjavin singers, has been the most prominent wangga performed in Wadeye. Initiated in the mid-1960s by Stan Mullumbuk (1937–1980), the Walakandha wanggarepertory came to function as one arm of a tripartite ceremonial system organising ceremonial life at Wadeye, in complementary relationship with sister repertories djanba and lirrga. The dominant themes of the Walakandha wangga are related to the activities of the Marri Tjavin ancestral dead – the Walakandha – as givers of wangga songs and protectors of their living descendants. Longing for return to Marri Tjavin ancestral country is another common theme. Many specific places are named. Foremost among these is the hill Yendili – one of the places where Walakandha ancestors reside.' (Publication summary)
Notes
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The recording of this CD was undertaken with the assistance of the Australian Institute of Aboriginal and Torres Strait Islander Studies.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Related Works
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y
For the Sake of a Song : Wangga Songmen and their Repertories
Allan Marett
,
Linda Barwick
,
Lysbeth Julie Ford
,
Sydney
:
Sydney University Press
,
2012
7074307
2012
selected work
lyric/song
Indigenous story
'Wangga is a genre of public dance-song from the Daly region of northwest Australia; the country that lies to the north and south of the mouth of the Daly River. The book (and this website) focuses on the songmen (Medjakarr in Batjamalh; Ngalinangga in Marri Tjavin) who have composed and performed wangga in the Daly region in the last fifty years.'
'Many of these singers are now deceased, though their descendants and heirs continue to perform the songs in ceremonies and various public events. At the core of the book is a corpus of some 150 wangga song texts, organised into six repertories: four from the Belyuen-based songmen Barrtjap, Muluk, Mandji and Lambudju, and two from the Wadeye-based Walakandha and Ma-yawa wangga groups, which are named after the ancestral song-giving ghosts of the Marri Tjavin and Marri Ammu people respectively.' (Source: wangga.library.usyd)
