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John Forbes in Carlton single work   essay  
Issue Details: First known date: 2018... 2018 John Forbes in Carlton
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AbstractHistoryArchive Description

'After I returned from overseas I caught up with John Forbes at a reading at La Mama where he and Alan Wearne sat in the front row of the small theatre cheering on Emma Lew. I had seen some of her poems published in the journal 'Otis Rush' and I thought that her poems were mysterious and sharp, reminiscent of Gig Ryan's poems. She read to an appreciative crowd and in the break John told me that he was accepting poets to tutor. Since returning from overseas I had been trying to find some direction in my life. I was working part-time and living in a share house in east St Kilda. I hadn't written much while I was overseas for two years, yet I felt that I had a lot of material within me to write about. I was also nervous about what John might think of my poems, as he wasn't exactly a lover of poems about the country. His own poems were urban, cool, mocking and loaded with clever associations. What would he say about my poems of India and overseas?' (Publication abstract)

 

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Southerly The Lives of Others vol. 78 no. 2 2018 16854409 2018 periodical issue “Doesn’t a breath of the air that pervaded earlier days caress us as well? in the voices we hear, isn’t there an echo of now silent ones? ... if so, then there is a secret agreement between past generations and the present one. Then our coming was expected on earth” (Benjamin 390). What does it mean to be in secret agreement with people and places that came before? To recognise that coming after is a matter not just of influence, but also the taking on of certain obligations—for example, to return, to pay tribute, to make amends, to put to rest? for Walter Benjamin the challenge in writing about the past is not to achieve a faithful reconstruction of an earlier period. it is to grasp moments of correspondence between the past and the present that otherwise would fall prey to the ever-present forces of amnesia. nowhere is the call of  Southerly this precarious correspondence more acutely registered than in writings and forms of creative practice that are located in the movement between one generation and the next. it is here that remembrance comes face to face with the unfinished business of people, places and events that demand some-thing of us. 2018 pg. 41-48
Last amended 25 Jun 2019 16:32:25
41-48 John Forbes in Carltonsmall AustLit logo Southerly
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