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Jumana Bayeh Jumana Bayeh i(18440882 works by)
Gender: Female
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1 Borders, Identity, Literature Jumana Bayeh , 2020 single work essay
— Appears in: Meanjin , Summer vol. 79 no. 4 2020;

'In a previous issue of Meanjin, Winnie Dunn wrote, ‘A critically conscious reader can see Australia through the literature that is missing just as equally as they can through the literature that exists.’ For Dunn, the literature that is ‘missing’ is work by Australians from minority and migrant communities, Indigenous Australians and people of colour or those from non-Anglo backgrounds. While I do not disagree with Dunn, I’d like to suggest that a critically conscious reader—whether in Australia or elsewhere—will further ask: what is missing when we read literature as a reflection of national boundaries, as a site where national identity is represented and given narrative shape? This is an important but deeply challenging question since the field of literary studies has long used the nation to categorise fiction, and has explained literature’s function through its capacity to define a nation’s culture and identity.' (Introduction)

1 Australian Literature and the Arab-Australian Migrant Novel Jumana Bayeh , 2019 single work criticism
— Appears in: Southerly , vol. 79 no. 1 2019; (p. 129-148)
'Patrick White’s The Aunt’s Story, published in 1948 and set in the 1930s, is one of the few Australian novels that features an Arab male character. His inclusion gives readers an insight into how an Arab was represented and, by extension, perceived in early- to mid-twentieth century Australia. The Arab in this case is a travelling salesman or a hawker, an occupation adopted by many early male and female migrants from what was then a region in Syria, today known as Lebanon. Hawkers traversed vast tracts of remote Australia peddling an array of wares, and their arrival to a country town or estate like Meroë in The Aunt’s Story, was met with excitement.' (Introduction)
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