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y separately published work icon Koori Mail newspaper issue  
Issue Details: First known date: 2020... no. 717 15 January 2020 of Koori Mail est. 1991 Koori Mail
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Contents

* Contents derived from the 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Plans for Return of Rock Art Welcomed, Jillian Mundy , single work column

The Tasmanian Museum and Art Gallery (TMAG) has agreed to return rock art they have held for more than 50 years to the Aboriginal community. 

(p. 6-7)
Artist Reflects on the Journey of Female Empowerment, Mahala Strohfeldt , single work column
Journey of a Woman's Strength is not only the title of Barbara Mundraby's latest artwork, but the theme of her life's enduring work. Barbara was commissioned exclusively by international Indigenous arts retailer Mainie —led by artistic director Charmaine Saunders — to produce a piece of work for the recent launch of their new Cairns gallery late last year. 
 
(p. 8)
Proud Young Rap Artist Makes His Music Count, Nick Paton , single work column
MAK Mak Marranungu rap artist J-MILLA (Jacob Nichaloff) has already amassed 15,000 Instagram followers, 18,000 more on Facebook and his 2018 track My People has now been viewed more than 100,000 times on YouTube, all of which he insists is lust the beginning" of his career in the music industry. 
(p. 22)
Be Inspired By Our Survival, Natalie Cromb , single work column
As our calendar pages turn to another year, it is easy to get lost on the feeling that nothing has changed in a positive and meaningful way for our people. It is true and a valid expression of our emotions that we feel when faced with what it means to be blak in Australia. 
(p. 24) Section: Opinion
Festival Platform Shares Our Voice, Kirk Page , single work column
Sydney Festival's Blak Out program is the largest single commissioner of Aboriginal and Torres Strait Islander works in the country. Artistic director Wesley Enoch said Sydney Festival 2020 presents 46 new co-commissioned works, a great many with Indigenous themes at their heart. "There's politics and social perspectives all throughout everything we do," Enoch said. "And it's interesting this idea of history and retrospectives. When you have someone like (visual artist) Vernon Ah Kee doing his work, called The Island, which is looking at Palm Island and (artist) Fiona Foley and her exhibition work, it's both the contemporary and the historical sitting side by side. "When there is more representation, you can look at the diversity of the voices that non-Indigenous Australia is hearing from us." 
 
(p. 28-29)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 2 Mar 2020 16:10:56
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