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Dylan Van Den Berg Dylan Van Den Berg i(19499221 works by)
Gender: Male
Heritage: Aboriginal ; Aboriginal Palawa / Tasmanian
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Works By

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1 Whitefella Yella Tree Dylan Van Den Berg , 2022 single work drama

'Once in a blue moon, in the middle of nowhere, two teenage boys meet under a lemon tree. After a rough start, a fragile friendship fruits into a heady romance. Ty and Neddy fall madly in love, as teenagers are wont to do.

'If history would just unfurl a little differently, the boys might have a beautiful future ahead of them. But without knowing it, Ty and Neddy are poised on the brink of a world that is about to change forever. It’s the early 19th century. Ty is River Mob. Neddy is Mountain Mob. And the earth they stand together on is about to be declared ‘Australia’.'

Source: Publisher's blurb.

1 Consultation Dylan Van Den Berg , 2021 single work drama
1 y separately published work icon Milk Dylan Van Den Berg , 2020 Strawberry Hills : Currency Press , 2021 21417867 2020 single work drama

'Like a smack in the face.  That’s how I’d describe it.

'On the precipice of something life changing, a young Palawa man plunges into an exploration of self and Country. 

'Carried with the winds of a metaphysical Flinders Island, the land of his mob and the place where it all happened, he is drawn back to the dawn of colonization. To a woman who bore the brunt of the oppressors’ violence and then forward to her granddaughter, who buried the truth as a means of survival. Stirring up stories together, with parts both  achingly sad and unexpectedly funny, what unfolds reveals by slow degrees painful but important truths.'

Source: Publisher's blurb.

1 Dig Dylan Van Den Berg , 2020 single work drama
— Appears in: Island , no. 160 2020; (p. 21)
1 Way Back When Dylan Van Den Berg , 2019 single work drama

'way back when, set in a fictional post-colonial Tasmania, sees Ghost, a take-no-nonsense apparition, set the scene for the meeting of an unlikely trio of three women. To pass the time (and forget the cold), they re-imagine the colonisation of Tasmania as a Gothic revenge drama. There’s comedy, a play-within-a-play and, as their connection to each other strengthens, revelations of personal traumas which steadily undermine the fervour of their collective revisionism.'

Source: Griffin Theatre.

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