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Cover image courtesy of publisher.
y separately published work icon Dropbear selected work   poetry   essay  
Issue Details: First known date: 2021... 2021 Dropbear
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AbstractHistoryArchive Description

'I told you this was a thirst so great it could carve rivers.

'This fierce debut from award-winning writer Evelyn Araluen confronts the tropes and iconography of an unreconciled nation with biting satire and lyrical fury. Dropbear interrogates the complexities of colonial and personal history with an alternately playful, tender and mournful intertextual voice, deftly navigating the responsibilities that gather from sovereign country, the spectres of memory and the debris of settler-coloniality. This innovative mix of poetry and essay offers an eloquent witness to the entangled present, an uncompromising provocation of history, and an embattled but redemptive hope for a decolonial future.' (Publication summary)

Notes

  • Dedication:

    To Mum and Dad, it's an honour to honour you.

    For J, every word. Before or after, and no matter what survives us, be it horizons, highways, poems or stars. Every word, and every place it came from.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Rupturing Colonial Kitsch, Untangling Myth Melody Paloma , 2021 single work review
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 198-204)

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay
'At first glance the dropbear might be interpreted as innocent fun: a mythical species dreamt up by settlers said to prey on unsuspecting tourists, it is posited as the cute punchline in a national prank. For many, the dropbear is not a particularly violent figure. That is, not when placed in comparison with the material consequences of colonisation: dispossession and expropriation of Indigenous people and their land, the destruction of sacred sites, the removal of Indigenous children from their families and Country, Indigenous incarceration and deaths in custody (to name just a few).' (Introduction)
Translating the World Prithvi Varatharajan , 2021 single work essay
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 61-71)
'In the summer of 2019–20 I worked in the customer service department of an Australian zoo. I was used to cycling to work, gliding past traffic and cutting through parklands in my khaki uniform. But I found myself driving much more than usual. Cycling resulted in weariness and respiratory irritation, as I breathed in toxic particulate matter. Bushfire smoke smothered the city, forcing us indoors. With the smoke settling for days at a time, I relied more on my exhaust-spewing vehicle to get to work. The dark irony was hard to miss.' (Introduction)
y separately published work icon Evelyn Araluen : On ‘Dropbear’ Astrid Edwards (interviewer), Melbourne : Bad Producer Productions , 2021 23450370 2021 single work podcast interview

'Evelyn Araluen is the coeditor of Overland, as well as a poet, educator and researcher working with Indigenous literatures. 2021's Dropbear is her first collection.

'Her shorter works have won the Nakata Brophy Prize for Young Indigenous Writers, the Overland Judith Wright Poetry Prize and a Wheeler Centre Next Chapter Fellowship. Born, raised, and writing in Dharug country, she is a Bundjalung descendant.' (Production introduction)

Australian Storytellers Share Favourite Shows, Books and Films That Are Breaking New Ground in Terms of Representation 2021 single work column
— Appears in: ABC News [Online] , October 2021;
'Seeing yourself, or aspects of your identity, represented or reflected in storytelling can be powerful and affirming. But our media and entertainment culture continues to under-represent some while over-representing others. We asked 12 professional storytellers from different backgrounds and lived experiences to share favourite books, TV shows and films that made them feel seen, or affirmed their experiences and perspectives.'
Lyric Provocations : Two Politically Charged Poetry Volumes Prithvi Varatharajan , 2021 single work review
— Appears in: Australian Book Review , November no. 437 2021; (p. 60-61)

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay ; Take Care Eunice Andrada , 2021 selected work poetry
Dropbear by Evelyn Araluen Review – a Stunning Scalpel Wielded through Australian Myths Declan Fry , 2021 single work review
— Appears in: The Guardian Australia , 26 March 2021;

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay

'Araluen’s first collection repurposes Biblical themes, Australiana kitsch and settler-colonial tropes to astonishing effect'

Books Roundup Dropbear, Emotional Female, Friends & Dark Shapes, Monsters Ellen Cregan , Ferdous Bahar , Naima Ibrahim , Amy Walters , 2021 single work review
— Appears in: Kill Your Darlings [Online] , March 2021;

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay ; Friends and Dark Shapes Kavita Bedford , 2021 single work novel ; Emotional Female Yumiko Kadota , 2021 single work autobiography ; Monsters Alison Croggon , 2021 single work autobiography essay
Staring Back Jeanine Leane , 2021 single work review
— Appears in: Sydney Review of Books , June 2021;

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay

'Since the invasion of Australia in 1788, First Nations Peoples have been forced into the literary images of the colonisers. We have been described as noble savages, vermin, half-castes, temptresses, and problems, just to name a few. Our entrapment in the literary canon of the invading settlers is what constructed and maintained the colonial mythscape of the modern nation of Australia.' (Introduction)

Timmah Ball Reviews Dropbear by Evelyn Araluen Timmah Ball , 2020 single work review
— Appears in: Mascara Literary Review , no. 26 2020-2021;

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay

'Multiple modes and literary disciplines weave through Evelyn Araleun’s first collection Dropbear, shifting between poetry, prose, micro-fiction and essay seamlessly. The taut threads are a reflection of her interdisciplinary work where writing and social justice intersect. There are no metaphors instead resistance is displayed through her piercingly accurate understanding of the flawed settler nation we inhabit. As she describes in the collections notes ‘our resistance, therefore must also be literary’ an acknowledgment that the social, environmental and political change being sought must also engage with the literary culture we inherited such as May Gibbs problematic Australian classic Snugglepot and Cuddlepie. A much loved children’s book series where the bush is represented through terra nullius. As a scholar, poet, teacher, activist, editor, essayist and fiction writer Araleun resists and defies imposed colonialism, which is most fiercely embodied through Dropbear. The collection speaks back to defunct systems and shows that Aboriginal Sovereignty is crystalline.' (Introduction)   

Poet Finds Neat Ways to Send Political Message Geoff Page , 2021 single work review
— Appears in: The Weekend Australian , 7 August 2021; (p. 14)

— Review of Dropbear Evelyn Araluen , 2021 selected work poetry essay
'To a reviewer old enough to remember the publication of Oodgeroo Noonuccal’s collection, We Are Going, the recent emergence of a whole new group of young(ish) female Aboriginal poets is a matter for celebration.' (Introduction)
Australian Storytellers Share Favourite Shows, Books and Films That Are Breaking New Ground in Terms of Representation 2021 single work column
— Appears in: ABC News [Online] , October 2021;
'Seeing yourself, or aspects of your identity, represented or reflected in storytelling can be powerful and affirming. But our media and entertainment culture continues to under-represent some while over-representing others. We asked 12 professional storytellers from different backgrounds and lived experiences to share favourite books, TV shows and films that made them feel seen, or affirmed their experiences and perspectives.'
y separately published work icon Evelyn Araluen : On ‘Dropbear’ Astrid Edwards (interviewer), Melbourne : Bad Producer Productions , 2021 23450370 2021 single work podcast interview

'Evelyn Araluen is the coeditor of Overland, as well as a poet, educator and researcher working with Indigenous literatures. 2021's Dropbear is her first collection.

'Her shorter works have won the Nakata Brophy Prize for Young Indigenous Writers, the Overland Judith Wright Poetry Prize and a Wheeler Centre Next Chapter Fellowship. Born, raised, and writing in Dharug country, she is a Bundjalung descendant.' (Production introduction)

Translating the World Prithvi Varatharajan , 2021 single work essay
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 61-71)
'In the summer of 2019–20 I worked in the customer service department of an Australian zoo. I was used to cycling to work, gliding past traffic and cutting through parklands in my khaki uniform. But I found myself driving much more than usual. Cycling resulted in weariness and respiratory irritation, as I breathed in toxic particulate matter. Bushfire smoke smothered the city, forcing us indoors. With the smoke settling for days at a time, I relied more on my exhaust-spewing vehicle to get to work. The dark irony was hard to miss.' (Introduction)
Last amended 7 Dec 2021 10:39:38
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