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'I told you this was a thirst so great it could carve rivers.
'This fierce debut from award-winning writer Evelyn Araluen confronts the tropes and iconography of an unreconciled nation with biting satire and lyrical fury. Dropbear interrogates the complexities of colonial and personal history with an alternately playful, tender and mournful intertextual voice, deftly navigating the responsibilities that gather from sovereign country, the spectres of memory and the debris of settler-coloniality. This innovative mix of poetry and essay offers an eloquent witness to the entangled present, an uncompromising provocation of history, and an embattled but redemptive hope for a decolonial future.' (Publication summary)
Notes
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Dedication:
To Mum and Dad, it's an honour to honour you.
For J, every word. Before or after, and no matter what survives us, be it horizons, highways, poems or stars. Every word, and every place it came from.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Rupturing Colonial Kitsch, Untangling Myth
2021
single work
review
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 198-204)
— Review of Dropbear 2021 selected work poetry essay 'At first glance the dropbear might be interpreted as innocent fun: a mythical species dreamt up by settlers said to prey on unsuspecting tourists, it is posited as the cute punchline in a national prank. For many, the dropbear is not a particularly violent figure. That is, not when placed in comparison with the material consequences of colonisation: dispossession and expropriation of Indigenous people and their land, the destruction of sacred sites, the removal of Indigenous children from their families and Country, Indigenous incarceration and deaths in custody (to name just a few).' (Introduction) -
Translating the World
2021
single work
essay
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 61-71) 'In the summer of 2019–20 I worked in the customer service department of an Australian zoo. I was used to cycling to work, gliding past traffic and cutting through parklands in my khaki uniform. But I found myself driving much more than usual. Cycling resulted in weariness and respiratory irritation, as I breathed in toxic particulate matter. Bushfire smoke smothered the city, forcing us indoors. With the smoke settling for days at a time, I relied more on my exhaust-spewing vehicle to get to work. The dark irony was hard to miss.' (Introduction) -
y
Evelyn Araluen : On ‘Dropbear’
Astrid Edwards
(interviewer),
Melbourne
:
Bad Producer Productions
,
2021
23450370
2021
single work
podcast
interview
'Evelyn Araluen is the coeditor of Overland, as well as a poet, educator and researcher working with Indigenous literatures. 2021's Dropbear is her first collection.
'Her shorter works have won the Nakata Brophy Prize for Young Indigenous Writers, the Overland Judith Wright Poetry Prize and a Wheeler Centre Next Chapter Fellowship. Born, raised, and writing in Dharug country, she is a Bundjalung descendant.' (Production introduction)
-
Australian Storytellers Share Favourite Shows, Books and Films That Are Breaking New Ground in Terms of Representation
2021
single work
column
— Appears in: ABC News [Online] , October 2021; 'Seeing yourself, or aspects of your identity, represented or reflected in storytelling can be powerful and affirming. But our media and entertainment culture continues to under-represent some while over-representing others. We asked 12 professional storytellers from different backgrounds and lived experiences to share favourite books, TV shows and films that made them feel seen, or affirmed their experiences and perspectives.' -
Lyric Provocations : Two Politically Charged Poetry Volumes
2021
single work
review
— Appears in: Australian Book Review , November no. 437 2021; (p. 60-61)
— Review of Dropbear 2021 selected work poetry essay ; Take Care 2021 selected work poetry
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Dropbear by Evelyn Araluen Review – a Stunning Scalpel Wielded through Australian Myths
2021
single work
review
— Appears in: The Guardian Australia , 26 March 2021;
— Review of Dropbear 2021 selected work poetry essay'Araluen’s first collection repurposes Biblical themes, Australiana kitsch and settler-colonial tropes to astonishing effect'
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Books Roundup Dropbear, Emotional Female, Friends & Dark Shapes, Monsters
2021
single work
review
— Appears in: Kill Your Darlings [Online] , March 2021;
— Review of Dropbear 2021 selected work poetry essay ; Friends and Dark Shapes 2021 single work novel ; Emotional Female 2021 single work autobiography ; Monsters 2021 single work autobiography essay -
Staring Back
2021
single work
review
— Appears in: Sydney Review of Books , June 2021;
— Review of Dropbear 2021 selected work poetry essay'Since the invasion of Australia in 1788, First Nations Peoples have been forced into the literary images of the colonisers. We have been described as noble savages, vermin, half-castes, temptresses, and problems, just to name a few. Our entrapment in the literary canon of the invading settlers is what constructed and maintained the colonial mythscape of the modern nation of Australia.' (Introduction)
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Timmah Ball Reviews Dropbear by Evelyn Araluen
2020
single work
review
— Appears in: Mascara Literary Review , no. 26 2020-2021;
— Review of Dropbear 2021 selected work poetry essay'Multiple modes and literary disciplines weave through Evelyn Araleun’s first collection Dropbear, shifting between poetry, prose, micro-fiction and essay seamlessly. The taut threads are a reflection of her interdisciplinary work where writing and social justice intersect. There are no metaphors instead resistance is displayed through her piercingly accurate understanding of the flawed settler nation we inhabit. As she describes in the collections notes ‘our resistance, therefore must also be literary’ an acknowledgment that the social, environmental and political change being sought must also engage with the literary culture we inherited such as May Gibbs problematic Australian classic Snugglepot and Cuddlepie. A much loved children’s book series where the bush is represented through terra nullius. As a scholar, poet, teacher, activist, editor, essayist and fiction writer Araleun resists and defies imposed colonialism, which is most fiercely embodied through Dropbear. The collection speaks back to defunct systems and shows that Aboriginal Sovereignty is crystalline.' (Introduction)
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Poet Finds Neat Ways to Send Political Message
2021
single work
review
— Appears in: The Weekend Australian , 7 August 2021; (p. 14)
— Review of Dropbear 2021 selected work poetry essay 'To a reviewer old enough to remember the publication of Oodgeroo Noonuccal’s collection, We Are Going, the recent emergence of a whole new group of young(ish) female Aboriginal poets is a matter for celebration.' (Introduction) -
Australian Storytellers Share Favourite Shows, Books and Films That Are Breaking New Ground in Terms of Representation
2021
single work
column
— Appears in: ABC News [Online] , October 2021; 'Seeing yourself, or aspects of your identity, represented or reflected in storytelling can be powerful and affirming. But our media and entertainment culture continues to under-represent some while over-representing others. We asked 12 professional storytellers from different backgrounds and lived experiences to share favourite books, TV shows and films that made them feel seen, or affirmed their experiences and perspectives.' -
y
Evelyn Araluen : On ‘Dropbear’
Astrid Edwards
(interviewer),
Melbourne
:
Bad Producer Productions
,
2021
23450370
2021
single work
podcast
interview
'Evelyn Araluen is the coeditor of Overland, as well as a poet, educator and researcher working with Indigenous literatures. 2021's Dropbear is her first collection.
'Her shorter works have won the Nakata Brophy Prize for Young Indigenous Writers, the Overland Judith Wright Poetry Prize and a Wheeler Centre Next Chapter Fellowship. Born, raised, and writing in Dharug country, she is a Bundjalung descendant.' (Production introduction)
-
Translating the World
2021
single work
essay
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 61-71) 'In the summer of 2019–20 I worked in the customer service department of an Australian zoo. I was used to cycling to work, gliding past traffic and cutting through parklands in my khaki uniform. But I found myself driving much more than usual. Cycling resulted in weariness and respiratory irritation, as I breathed in toxic particulate matter. Bushfire smoke smothered the city, forcing us indoors. With the smoke settling for days at a time, I relied more on my exhaust-spewing vehicle to get to work. The dark irony was hard to miss.' (Introduction)
Awards
- 2022 shortlisted Victorian Premier's Literary Awards — Prize for Indigenous Writing
- 2021 shortlisted Queensland Literary Awards — Judith Wright Calanthe Award