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'Occasionally throughout isolation, I’ve experienced that moment when two seemingly disparate films ‘talk’ to each other. Recently, I watched Midsommar (Ari Aster, 2019) and The Virgin Spring (Ingmar Bergman, 1960) back to back. Both are set in Sweden. Both are portraits of devout communities living in pastoral hinterlands. And both are very different. One utilises the horror genre to show, with calculated restraint and control, religious devotion as a form of sociopathy. The other, an elegiac fable, is much more humanist and loving in its portrayal of God-worshipping protagonists.' (Introduction)
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Last amended 21 Dec 2020 09:56:03
http://www.sensesofcinema.com/2020/cinema-in-the-age-of-covid/film-in-the-age-of-covid/
Film in the Age of COVID
Senses of Cinema
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