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y separately published work icon Westerly periodical issue   peer reviewed assertion
Issue Details: First known date: 2021... vol. 66 no. 1 2021 of Westerly est. 1956 Westerly
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Contents

* Contents derived from the , 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Sea Children, See Childreni"My eyes flit, do not settle", Caitlin Maling , single work poetry (p. 35)
Eclogue with Randolph Stow's 'A Fancy for His Death'i"'the ants ran wild in the hollows of his bones'", John Kinsella , single work poetry (p. 35)
Green Bathroomi"I am keeping you company in the vintage bathroom", Jane Frank , single work poetry (p. 40-41)
Little Strings, Chloe Adams , single work short story (p. 43-48)
The Lefti"What became of the silent child who", Damen O'Brien , single work poetry (p. 49)
The Boy in Time, Stephen Orr , single work prose (p. 51-58)
Oystersi"Shaping shell through sentiment in sediment", Tais Rose , single work poetry (p. 59)
Steps to Parnassus : Martin Johnston’s The Sea-Cucumber, Aidan Coleman , single work criticism
'Martin Johnston (1947-1990) left behind a slim oeuvre of remarkable poems, lauded for their wit and erudition. The son of  the writers Charmian Clift and George Johnston, he spent most of his childhood in Europe, living for almost a decade on the island  the of Hydra as part of an expatriate community of artists, which included the then little-heralded Leonard Cohen. He worked mainly as a critic through the 1970s, and in the '80s wrote subtitles for SBS Television. Johnston's life was also marked by tragedy. His mother's suicide in 1969 was followed by his father's death from tuberculosis the following year, and then his sister Shane's suicide four years later. These events haunt his writing. Johnston, who was an alcoholic for much of his adult life, died at the age of forty-two. During this time, he published an acclaimed experimental novel, Cicada Gambit (1984). He also published a book of modern Greek poetry in translation Ithaka (1973), and three books of poetry: Shadowmass (1971), The Sea-Cucumber (1978) and The Typewriter Considered as a Bee-Trap (1984). An elegant volume of Johnston's selected poems, Beautiful Objects (Ligature), edited and introduced by Nadia Wheatley, marked the thirtieth anniversary of his death in 2020, along with the launch of a memorial website. ' (Introduction)
 
(p. 60-76)
Halseyi"you, clothed in shades of salmon so enticing,", Maddie Godfrey , single work poetry (p. 80)
Every Time I Buy Fruit It Turns Rotten, Forgotten In The Bowli"there was a tattoo between you shoulder blades that I wanted", Maddie Godfrey , single work poetry (p. 81)
Desire’s First Stepsi"my ligaments have forgotten their first times, like wooden", Maddie Godfrey , single work poetry (p. 82)
Fat Chance #7, Kent MacCarter , single work prose (p. 83-85)
For Three Days Now, or Is Iti"fourteen: men have worked smashing five last pieces of house across", Elanna Herbert , single work poetry (p. 86-87)
Pay Day, Michelle Prak , single work short story (p. 88-95)
Authentici"Always first pick for photo ops", Melanie Hobbs , single work poetry (p. 96)
Push, Emma Darragh , single work short story (p. 97-103)
Introduction, Rachel Robertson , single work essay (p. 107-109)
The Dogs, Ashleigh Angus , single work prose (p. 111-113)
Exile, Rachel Robertson , single work prose

Written in response to Abdul-Rahman Abdullah's sculptural exhibition Everything is True at John Curtin Gallery 2021.

(p. 115)
Ghost and Wednesday, Anne Ryden , single work prose

Written in response to Abdul-Rahman Abdullah’s sculptural exhibition Everything is True at John Curtin Gallery 2021.

(p. 117)
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