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A Boat Must Be Made single work   prose  
Issue Details: First known date: 2021... 2021 A Boat Must Be Made
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Author's note: Excerpt from Heart’s Tongue performed at Castlemaine State Festival 2015 Dja Dja Wurrung Country–Castlemaine. With gratitude to, and respect for, the Dja Dja Wurrung, Waywurru and Barkindji peoples

We made this piece of work because we wanted to perform a possible process of seeking ways of being that show the beauty of encountering an-other with the many complexities that involves. For us, it is a poetics of being, not as disembodied philosophy but rooted in the earth, water, bodies, particular histories, the sensual and language. We wanted to perform possibilities of relationship that work to find places that complicate and shift fixed and binary thinking. Our writing together and subsequent performance was an attempt to move toward a language that grows from shared experiences and deeply held understandings of, and desires for, the world—including the sovereignty of an-other. We wanted to perform both the experiences of coming to ends that trail off into unshareable places; knowledges and experiences that are irrecoverably different as well as experiences of deep meeting. And importantly we wanted to reinvest the word and concept of “boat” with a shared commitment to love. As a starting point we worked from Sohrab Sepehri’s poem, “The Address.”

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Southerly Writing Through Fences – Archipelago of Letters vol. 79 no. 2 2021 23374465 2021 periodical issue

    'The island continent has created an archipelago of incarceration spanning from South East Asia, Micronesia and Melanesia in the Pacific, the Indian Ocean and across mainland Australia. This issue of Southerly, titled Writing Through Fences, is devoted entirely to the work of past and present refugees in these detention centres.

    'The records of their experiences are devastating; their creative responses, across genres and media, are astounding. The issue also includes responses from Australian writers, activists, essayists and students, who engage with refugee writing as well as the practices and consequences of refugee incarceration.

    'Writing Through Fences is guest edited by the writer-activists Hani Abdile, Behrouz Boochani, Janet Galbraith and Omid Tofighian. Two of these editors have direct experience of Australian refugee detention. Three have been displaced and exiled. All four have worked for years with refugees as translators, enablers and publishers to bring the creative voices of refugees into public view and circulation. This issue presents the greatest range of new refugee writing assembled to date in Australia.' (Publication summary)

    2021
    pg. 26-31
Last amended 6 Dec 2021 06:56:06
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