AustLit

'In February 1983 a significant event took place at Murdoch University - the first Aboriginal Writers' Conference. And, as the editors point out, no mere collection of papers can do justice to that historic gathering,. Nevertheless, anyone interested in Aboriginal writing - from its proud beginnings as an oral tradition through its exciting contemporary voice to the strong promise of its future - will want to read Aboriginal Writing Today.'

'Faith Bandler gives a fascinating account of how she researched her novels. Catherine Berndt offers a sensitive analysis of oral literature and, as an added bonus, introduces three story tellers...Gerry Bostock describes the early days of black theatre and points out how Aboriginal drama fits into a long tradition of protest literature stretching back to classical Greek dramatists. Jack Davis provides a valuable overview of Aboriginal writing... and Kevin Gilbert discusses the policies Aboriginal writers have adopted and offers some provocative suggestions for future policies.'

'Colin Johnson talks about the problems of trying to handle Aboriginal themes within white forms, whilst Cliff Watego continues the discussion with a penetrating analysis of Kath Walker's poetry. Finally, Bruce McGuinness and Denis Walker combine two formidable talents to talk about the politics of Aboriginal literature.'

'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)

Identifies six different types of Australian autobiography.

'It is night. They move with such stealth they could be almost floating along the road. I can't see faces, just the outline of their movement. But when the moon drifts out from behind a cloud, bathing the road in an urgent sort of light, I see how they're all gazing up towards me.

''They're coming back,' I murmur. I turn to Kendall, and she puts her sewing aside, eyes on me. They never waiver.

'It was supposed to be a place where teenagers would learn resilience, confidence and independence, where long hikes and runs in the bush would make their bodies strong and foster a connection with the natural world. Living in bare wooden huts, cut off from the outside world, the students would experience a very different kind of schooling, one intended to have a strong influence over the kind of adults they would eventually become.

'Fourteen-year-old Rebecca Starford spent a year at this school in the bush. In her boarding house sixteen girls were left largely unsupervised, a combination of the worst behaved students and some of the most socially vulnerable. As everyone tried to fit in and cope with their feelings of isolation and homesickness, Rebecca found herself joining ranks with the powerful girls, becoming both a participant–and later a victim–of various forms of bullying and aggression.

'Bad Behaviour tells the story of that year, a time of friendship and joy, but also of shame and fear. It explores how those crucial experiences affected Rebecca as an adult and shaped her future relationships, and asks courageous questions about the nature of female friendship.

'Moving, wise and painfully honest, this extraordinary memoir shows how bad behaviour from childhood, in all its forms, can be so often and so easily repeated throughout our adult lives.' (Publication summary)

'He asked the water to lift him, to carry him, to avenge him. He made his muscles shape his fury, made every stroke declare his hate. And the water obeyed; the water would give him his revenge. No one could beat him, no one came close.

'His whole life Danny Kelly's only wanted one thing: to win Olympic gold. Everything he's ever done - every thought, every dream, every action - takes him closer to that moment of glory, of vindication, when the world will see him for what he is: the fastest, the strongest and the best. His life has been a preparation for that moment.

'His parents struggle to send him to the most prestigious private school with the finest swimming program; Danny loathes it there and is bullied and shunned as an outsider, but his coach is the best and knows Danny is, too, better than all those rich boys, those pretenders. Danny's win-at-all-cost ferocity gradually wins favour with the coolest boys - he's Barracuda, he's the psycho, he's everything they want to be but don't have the guts to get there. He's going to show them all.

'He would be first, everything would be alright when he came first, all would be put back in place. When he thought of being the best, only then did he feel calm.

'A searing and provocative novel by the acclaimed author of the international bestseller The Slap, Barracuda is an unflinching look at modern Australia, at our hopes and dreams, our friendships, and our families.

'Should we teach our children to win, or should we teach them to live? How do we make and remake our lives? Can we atone for our past? Can we overcome shame? And what does it mean to be a good person?

'Barracuda is about living in Australia right now, about class and sport and politics and migration and education. It contains everything a person is: family and friendship and love and work, the identities we inhabit and discard, the means by which we fill the holes at our centre. It's brutal and tender and blazingly brilliant; everything we have come to expect from this fearless vivisector of our lives and world. ' (Publisher's blurb)

'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.

'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.

'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]

Catriona Elder explores the origins, meanings and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity.
(Publisher's blurb)

'In making her selection of the best 40 poems from Australia’s literary journals, Beveridge – one of Australia’s leading poets – has searched for poems that enact ‘a serious showdown between the word and the poet’. Passionate, vigorous and filled with visitations and mysterious narratives, The Best Australian Poetry 2006 is the liveliest gathering of Australian poetry. '  (Publication summary)

'His selection of 40 poems from Australia's print and online journals captures a sense of poetry as passion, as lived experience, and momentary distillations into action.' (Source: Publisher's website)

'The Best Australian Poetry 2009 celebrates the originality and verve of Australian poetry at this moment. In this collection of 40 poems Alan Wearne brings long experience as a poet and teacher of poetry, and a sharp eye for the surprising. Bookended with an introduction by Wearne and the poets' commentary on their work, this year's collection is a sophisticated and accessible sampling of recent achievements in Australian poetry.' (From the publisher's website.)

Biographical notes on the contributing poets are included, together with a substantial comment by each poet their selected poem.

'Charlotte-Rose de la Force has been banished from court by the Sun King, Louis XIV, after a series of scandalous love affairs. She is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of Bitter Greens ...

'After Margherita's father steals a handful of greens - parsley, wintercress and rapunzel - from the walled garden of the courtesan, Selena Leonelli, they give up their daughter to save him from having both hands cut off. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1513 and still inspiring him at the time of his death, sixty-one years later. Called La Strega Bella, Selena is at the centre of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.

'Locked away in a tower, growing to womanhood, Margherita sings in the hope someone will hear her. One day, a young man does ...

'Three women, three lives, three stories, braided together to create a compelling story of desire, obsession, black magic, and the redemptive power of love.' (From the publisher's website.)