'For a few dazzling years in the early 1990s, many eyes in the Australian theatre world were turning to Canberra. The centre of attention was a brash young company called Splinters, recommended to those of us then working at The Performance Space by the late Bruce Keller, who had been working in Canberra with theatre-in-education company Jigsaw. Splinters was arguably the most remarkable and influential, truly home-grown artistic venture that Canberra has produced. It grew from the local (counter-)culture, and arose in and around the national government, the cultural institutions and the embassies of many nations that the city was designed to serve. The company's meteoric rise to national prominence in the early 1990s has not, to date, been documented and shared with the community that nurtured it, and its astonishing works and techniques deserve to be made available for overdue critical analysis.' (Author's introduction)
