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Lisa Milner Lisa Milner i(8117234 works by)
Gender: Female
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Works By

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1 Freedom Fighter i "He wore the badges on his chest.", Lisa Milner , 2018 single work poetry
— Appears in: Wild 2018; (p. 38)
1 ‘The Unbreakable Solidarity of Women Throughout the World with Heroic Vietnam’ : Freda Brown, Women’s Organisations and the Anti-Vietnam War Movement Lisa Milner , 2018 single work criticism
— Appears in: History Australia , vol. 15 no. 2 2018; (p. 255-270)

'One of the many Australians who campaigned against participation in the Vietnam War was Freda Brown (1919–2009). Among the anti-war groups she worked within, three employed a maternalist approach to many of their campaigns. Mobilising against the prevailing concept of a woman’s role to keep the home fires burning and support the troops, Brown travelled to North Vietnam at the height of the conflict. One remarkable outcome of her activism was the funding of the Hanoi Obstetrics and Gynaecology Hospital. This article explores Brown’s work in these organisations, and examines her work in transnational maternalism.'  (Publication abstract)

1 y separately published work icon Swimming against the Tide : A Biography of Freda Brown Lisa Milner , Port Adelaide : Ginninderra Press , 2017 11103046 2017 single work bibliography

'Freda Brown was a political activist in the women’s, peace, and anti-apartheid movements, both in Australia and overseas. A passionate believer in equality, she occupied her busy life with action and organisation. While some of her greatest achievements can be seen in her work in helping to establish and lead pioneering women’s organisations, she travelled widely also in the service of political, peace and anti-racism causes. She was a widely respected activist and led an absorbing and very busy life with her political work both in Australia and overseas. She also worked as a journalist, political party organiser and theatre director. This biography is a long-overdue acknowledgement of the pioneering role Freda played at a time when second-generation feminism was decades away. At a time when women were not supposed to want anything more than being a wife and mother, Freda combined career and family successfully for decades, believed passionately in equality and peace, and fought for the rights of people all over the world. She was a leading member of the CPA long after many had left it, and remained a socialist all her life, preferring to hold her personal values rather than be fashionable. Behind Freda’s story lie much bigger cultural, social and political ones: the flowering of alternative political ideas, the development of second-wave feminism, the sexual revolution and the changing nature of reproductive rights, and the blossoming of decolonisation and globalisation. Her legacy underlines the lives of many of us in the 21st century.' (Publication Summary)

1 'A Key Person Internationally' : Towards a Biography of Freda Brown Lisa Milner , 2016 single work criticism
— Appears in: Lilith , no. 22 2016; (p. 21-36)

'A woman whose story and achievements are substantially lost to history, Freda Brown (1919-2009) was a political activist in the women's, peace, and anti-apartheid movements, both in Australia and overseas. After beginning her career in Australian left-wing and women's organisations, Freda crossed the globe for twenty-five years, working as the leader of a worldwide organisation of two hundred million members. While some of her greatest achievements can be seen in her work in helping to establish and lead pioneering women's organisations, she travelled widely also in the service of political, peace and anti-racism causes. She placed a great deal of importance on her work in intersecting networks of activists across Australia and the world. Together with casting Freda Brown's story from her own words, recollections of colleagues, and archival research, this article also investigates the importance of networking for Freda. It explores questions around the biographer's task in piecing together a life story, and issues of memory and biography.'  (Publication abstract)

1 Political Theatre and the State: Melbourne and Sydney, 1936-1953 Phillip Deery , Lisa Milner , 2015 single work criticism
— Appears in: History Australia , December vol. 12 no. 3 2015; (p. 113-136)
'For much of the twentieth century, branches of the New Theatre in Australia presented left-wing theatre within a culture that was resistant to their ideas. A novel mix of conventional theatre forms, experimental performative styles, agitational propaganda and Communist theories of 'art as a weapon' produced theatre that was responsive to international issues, infused with social comment, and oppositional in orientation. The larger Melbourne and Sydney branches of the New Theatre, on which this article focuses, attracted the attention of governments and security services anxious about the 'insidious' influence of left-wing workers' theatre. The article explores the various attempts to monitor, censor and silence the Melbourne and Sydney branches of New Theatre from 1936 to 1953, and suggests that the state circumscribed but did not cripple the groups' contribution to the development of a radical cultural activist tradition in Australia.' (Publication summary)
1 Radical Theatre Mobility : Unity Theatre, UK, and the New Theatre, Australia Cathy Brigden , Lisa Milner , 2015 single work criticism
— Appears in: New Theatre Quarterly , November vol. 31 no. 4 2015; (p. 328-342)
'For two radical theatres formed in the 1930s, taking performances to their audiences was an important dimension of commitment to working-class politics and civic engagement. Separated by distance but joined ideologically, the New Theatre in Australia and Unity Theatre in the United Kingdom engaged in what they described as ‘mobile work’, as well as being ‘stage curtain’ companies. Based on archival research and drawing on mobility literature, Cathy Brigden and Lisa Milner examine in this article the rationale for mobile work, the range of spaces that were used both indoor (workplaces, halls, private homes) and outdoor (parks, street corners beaches), and its decline. Emerging from this analysis are parallels between the two theatres’ motivation for mobile work, their practice in these diverse performance spaces, and the factors leading to the decline.' (Publication abstract)
1 From Martyr to Robo-Nurse : The Portrayal of Australian Nurses on Screen Lisa Milner , Cathy Brigden , 2014 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 8 no. 2/3 2014; (p. 110-122)
'Nurses have traditionally been seen as among the most trusted of workers, with cultural connections with caring and femininity long been associated with their profession. While the portrayal of nurses in overseas screenworks has had some attention, Australian productions have not. This study identifies four categories of screenworks: popular entertainment, training and recruitment films, wartime nursing, and nurses as workers and unionists. Although more recent mainstream media portrayals of nurses increasingly depict strong, assertive professionals, little research has been conducted into the fourth category, a significant number of which are made by nurses. When nurses take on the film-making task, different outcomes are produced. New types of film about nurses and by nurses offer an evolving representation of the profession and are helping to change the identity of nurses.' (Publication abstract)
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