AustLit logo

AustLit

image of person or book cover 1158513785413423514.jpg
Source: Transportation Press
Issue Details: First known date: 2016... 2016 The Third Script : Stories from Iran, Tasmania and the UK
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the Hobart, Southeast Tasmania, Tasmania,:Transportation Press , 2016 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Foreword, Amanda Lohrey , single work essay
The Tiger Quoll, Robbie Arnott , single work short story
The Deal the Deal the Deal, Lucinda Shannon , single work short story

Set in a strange hospital-like environment, with incessant Vivaldi white noise, 'The Deeal the Deal the Deal, is an exploration of what it would take to choose to lose your mind.

Sing Kunanyi, Zane Pinner , single work short story

Zane Pinner is a writer, musician, and filmmaker from Tasmania. His work explores the mystical, the sublime, and the epic and has been published or broadcast across a wide variety of mediums. He has also worked as a post-production editor of a children’s television series.

Watching the Cricket on a Windy Day, Bert Spinks , single work short story
Leisureland, Amber Wilson , single work short story

Amber Wilson is a Tasmanian writer who has worked in journalism and communications for more than a decade, including staff journalist positions with The Advocate, The Mercury, The Melbourne Weekly, The Age and the Scotland Herald. She has also worked as a media advisor and communications officer at a range of government, legal, university and arts bodies, including the Tasmanian Writers’ Centre. Her great passions are documentary filmmaking, slam poetry and writing fiction – preferably absurd, blackly humorous and with plenty of magic realism elements.

X