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Gakushu Kenkyusha Gakushu Kenkyusha i(A100238 works by) (Organisation) assertion
Born: Established: Tokyo, Honshu,
c
Japan,
c
East Asia, South and East Asia, Asia,
;
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18 63 y separately published work icon Seven Little Australians Ethel Turner , Tokyo : Gakushu Kenkyusha , 1976 Z863667 1894 single work children's fiction children's (taught in 25 units)

'Without doubt Judy was the worst of the seven, probably because she was the cleverest.'

'Her father, Captain Woolcot, found his vivacious, cheeky daughter impossible – but seven children were really too much for him and most of the time they ran wild at their rambling riverside home, Misrule.

'Step inside and meet them all – dreamy Meg, and Pip, daring Judy, naughty Bunty, Nell, Baby and the youngest, 'the General'. Come and share in their lives, their laughter and their tears.' (From the publisher's website.)

11 6 y separately published work icon Walkabout Donald Gordon Payne , James Vance Marshall , ( trans. J. Masharu et. al. )agent with title Sabaku no boken ryoko ) Tokyo : Gakushu Kenkyusha , 1972 Z549652 1959 single work novel

'A plane crashes in the vast Northern Territory of Australia, and the only survivors are two children from Charleston, South Carolina, on their way to visit their uncle in Adelaide. Mary and her younger brother, Peter, set out on foot, lost in the vast, hot Australian outback. They are saved by a chance meeting with an unnamed Aboriginal boy on walkabout. He looks after the two strange white children and shows them how to find food and water in the wilderness, and yet, for all that, Mary is filled with distrust.

'On the surface Walkabout is an adventure story, but darker themes lie beneath. Peter's innocent friendship with the boy met in the desert throws into relief Mary's half-adult anxieties, and the book as a whole raises questions about what is lost—and may be saved—when different worlds meet. And in reading Marshall's extraordinary evocations of the beautiful yet forbidding landscape of the Australian desert, perhaps the most striking presence of all in this small, perfect book, we realize that this tale—a deep yet disturbing story in the spirit of Adalbert Stifter's Rock Crystal and Richard Hughes's A High Wind in Jamaica—is also a reckoning with the mysteriously regenerative powers of death' (publisher blurb, NYRB Classics).'

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