AustLit

'As Lawrence Buell has observed, the pastoral, which in the ‘old’ worlds of Europe was a type of symbolic allegory not expected to be taken literally, became in Europe’s ‘new’ worlds of settler colonialism, such as the United States and Australia, ‘a vehicle of national self-definition’ as well as a template for the construction of an idyllic settler colonial pastoral way of life (52). The settler colony was often envisioned as a type of Arcadia. Martin Mulligan and Stuart Hill argue that the earliest European settlers in Australia, for example, ‘were bent on carving out familiar farms in unfamiliar settings; radically transforming landscapes into approximations of the Arcadian visions they had in their minds’ eyes’ (21). Similarly, in the United States Thomas Jefferson ‘saw America as a paradise of small farms, a rural arcadia with every freeholder secure under his own vine and fig tree’ (Schlesinger 221). Thus we note how, manifest in various settlement and homesteading schemes in both the United States and Australia, the allegorical discourse of the European pastoral mode became ideological and materially manifest. The purported discovery of new lands as yet untainted by the urban and court vices that the pastoral mode critiqued, and that Enlightenment-era political philosophers hoped to supersede, provided an opportunity for Europeans to fashion the discourse of Arcadian fantasy into a material reality that would influence the lives of millions of people and alter the ecology of millions of acres of land up to the present day. In its afterlife the pastoral would seem to be surprisingly vital.

'This essay examines how the pastoral imaginary functioned in settler colonial societies, the ecological consequences of this role, and a possible bioregionally informed alternative that seeks to develop a more sustainable and just version of that imaginary. By doing so I hope to show how the ancient pastoral mode, even and perhaps especially in settler colonial circumstances, inspires new forms of not just literary but also literal pastoralism and how, in Buell’s phrase, we might envision an ‘ecocentric repossession of pastoral’ (52).'

Source: Abstract.

'This essay applies ecocriticism, informed by a transnational, settler-colonial theory, to a comparative analysis of texts by three US and three Australian women authors. Through an examination of both “wild” and domestic landscapes, the essay works to establish how these authors manifest the “settler-colonial imaginary” through their glorification of the process of establishing English-style gardens on homesteads founded in territory depicted as an “unland.” The essay reads the insistent use of a “nothing but” construction in descriptions of uncultivated land in both the Australian and US texts as signifying the literary imagining of the “unland” of the colonized territory, a discursive clearing of the land, as it were, to make room for settlement. From there, it proceeds to compare and contrast the different ways in which these texts imagined settlers’ occupation of land as an ecological struggle to wrest an arid or semi-arid landscape into a space amenable for the production of an English garden—the symbol of the settler-colonial project’s ultimate success. It then discusses texts by settler women in both Australia and the United States that imagine settlement in a more ecologically sustainable way, signaling a potential “counter-colonial” gesture of reconciliation with place.' [publisher's summary]