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Peter Dawncy Peter Dawncy i(A131999 works by)
Gender: Male
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Works By

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1 Black Saturday Peter Dawncy , 2014 single work short story
— Appears in: Verge 2014 : Everything and Nothing 2014; (p. 11-17)
'Land life could not be sustained in such desiccating heat, so we became aquatic for the day...'
1 The Foolish Tower Peter Dawncy , 2014 single work short story
— Appears in: Verge 2014 : Everything and Nothing 2014; (p. 10)
1 A Coaster for the Jovial Peter Dawncy , 2014 single work short story
— Appears in: Verge 2014 : Everything and Nothing 2014; (p. 9)
1 Oh, so Suddenly, Our Daughter Is of the Scaly Ones... Peter Dawncy , 2014 single work short story
— Appears in: Voiceworks , Autumn no. 96 2014; (p. 63-65)

'One day a girl goes with her mother and little sister to their dentist for a routine check-up. After the dentist has finished examining the girl's teeth with his little scratching-stick and his tiny mirror, he calls the girl's mother back into the room...' (Publication abstract)

 

1 y separately published work icon Verge 2013 Becoming Peter Dawncy (editor), Camille Eckhaus (editor), Clayton : Monash University Publishing , 2013 6581254 2013 anthology poetry short story
1 Avartum Avagartum Peter Dawncy , 2013 single work short story
— Appears in: Voiceworks , Spring no. 94 2013; (p. 19-23)

'There was once a clever goblin who owned a village bakehouse. His name was Avartum - Avartum Avagartum. He was not just a clever goblin but a kind-hearted goblin as well, and it is important that you know this. For you see, there are a few kind-hearted goblins like Avartum in this world, but there are many more goblins who are not so kind. You know the mean goblins of whom I speak: the big ones who hide in caves by roadsides and wait for unsuspecting travellers to scare, rob, or even (on the big goblins' more ravenous days) devour; or the smaller goblins, the slyer ones, the ones with pointier ears and wickeder smiles who sit atop toadstools and place nasty spells on unsuspecting passers-by. Avartum, who was a bigger goblin, was not cruel like these others. Indeed, he had the utmost respect for the unsuspecting, whom he suspected did not much enjoy being scared, robbed, devoured or having un-desirable spells cast upon them, just as he would not enjoy these things.' (Publication abstract)

 

1 Ruins i "we unfurl these", Peter Dawncy , 2012 single work poetry
— Appears in: Long Paddock , vol. 71 no. 3 2012;
1 Autumn Storm i "spiralling tongues", Peter Dawncy , 2012 single work poetry
— Appears in: Mascara Literary Review , June no. 11 2012;
1 Saturnine i "darkness", Peter Dawncy , 2012 single work poetry
— Appears in: Mascara Literary Review , June no. 11 2012;
1 Logue i "satellites coalesce / fold", Peter Dawncy , 2012 single work poetry
— Appears in: Mascara Literary Review , June no. 11 2012;
1 The Melting Man i "A man was melting. He woke up in puddles of himself; he was constantly", Peter Dawncy , 2012 single work poetry
— Appears in: Islet
1 A Day in the Life of an Unfortunate Boy Peter Dawncy , 2012 single work short story
— Appears in: Verge 2012 2012; (p. 1)
1 Homeward i "aboard the drawling orange monster", Peter Dawncy , 2011 single work poetry
— Appears in: Southerly , vol. 71 no. 3 2011; (p. 188)
1 Ships Peter Dawncy , 2011 single work short story
— Appears in: Verge 2011 2011; (p. 94)
1 Fox Peter Dawncy , 2011 single work short story
— Appears in: Verge 2011 2011; (p. 93)
1 You've Made the Alarm Clock Cry Peter Dawncy , 2011 single work short story
— Appears in: Verge 2011 2011; (p. 91-92)
1 Brain in a Vat Peter Dawncy , 2010 single work short story science fiction
— Appears in: Antipodean SF , June no. 144 2010;
1 Constellations i "we sit on the bonnet at Trig to watch", Peter Dawncy , 2010 single work poetry
— Appears in: LiNQ , December vol. 37 no. 2010; (p. 92)
1 Evening Field i "the herd a scattering", Peter Dawncy , 2010 single work poetry
— Appears in: Southerly , vol. 70 no. 2 2010; (p. 81)
1 The Logue Of Thomas P. T. Lawrence Peter Dawncy , 2010 single work drama

'The Logue of Thomas P. T. Lawrence' explores how metafiction can function in theatre, and seeks to ask how free we are in the construction of our realities, whether it be a 'written' reality or the one we experience day to day.'

Source: Australian Stage website, australianstage.com.au (sighted 07/06/2020)

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