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Sarah Wright Sarah Wright i(A135686 works by)
Gender: Female
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Works By

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1 3 y separately published work icon Welcome to My Country : Lakak Burarrwanga and Family Sarah Wright (editor), Sandie Suchet-Pearson (editor), Kate Lloyd (editor), Banbapuy Ganambarr , Merrkiyawuy Ganambarr Stubbs , Ritjilili Ganambarr , Laklak Burarrwanga , Gay'wu Group of Women , Sydney : Allen and Unwin , 2013 6344501 2013 oral history biography children's (taught in 1 units)

'Laklak Burarrwanga and family invite you to their Country, centred on a beautiful beach in Arnhem Land. Its crystal waters are full of fish, turtle, crab and stingray, to hunt; the land behind has bush fruits, pandanus for weaving, wood for spears, all kinds of useful things. This country is also rich with meaning. 'We can go anywhere and see a river, hill, tree, rock telling a story.' Here too is Laklak's own history, from her long walk across Arnhem Land as a child to her people's fight for land rights and for a say in their children's schooling. She and her family stand tall, a proud and successful Indigenous community.'

Source: Bookseller's website

1 They Are Not Voiceless Laklak Burarrwanga , Ritjilili Ganambarr , Merrkiyawuy Ganambarr Stubbs , Banbapuy Ganambarr , Djawundil Maymuru , Sarah Wright , Sandie Suchet-Pearson , Kate Lloyd , 2012 single work essay
— Appears in: The 2013 Voiceless Anthology 2012; (p. 40-64)
and Bawaka Country
2 y separately published work icon Weaving Lives Together at Bawaka : North East Arnhem Land Sarah Wright (editor), Kate Lloyd (editor), Sandie Suchet-Pearson (editor), Djawundil Maymuru , Banbapuy Ganambarr , Merrkiyawuy Ganambarr Stubbs , Ritjilili Ganambarr , Laklak Burarrwanga , Gay'wu Group of Women , Kendall Shaw (illustrator), New South Wales : Centre for Urban and Regional Studies, New South Wales , 2008 Z1722063 2008 anthology oral history

'This book is a collaboration between five senior Yolngu women from north-east Arnhem Land, Northern Territory, Australia and three academic women from Macquarie University and Newcastle University in New South Wales, Australia. The book is written from a Yolngu perspective and shares the processes and methods of weaving and its preparation. Importantly, its storytelling and images discuss the metaphoric and cultural significance of weaving for Yolngu women.' (Source: Publishers website)

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