AustLit

The Wider Earth recounts 'in epic form a scientific voyage of discovery that would, in the end, rock the foundations of religion and revolutionise scientific thought.' Over two hours, and with the incorporation of puppetry, writer/director David Morton focuses 'unwaveringly on Darwin’s journey from dilettantish family disgrace to tormented scientific pioneer thrown headlong into conflict with God' (Buzzacott).

In his review of the 2016 premiere production Martin Buzacott writes of the production's conception:

The kicker comes with the puppetry, beautifully rendered moving incarnations of the wildlife that inspired Darwin’s theory of evolution. These gorgeous and charming creations (in part ­inspired by Handspring Puppet Company in Cape Town) not only captivate the audience’s imagination but, through theatrical ­estrangement, constantly rein­force the diversity, beauty and wonder of the natural world.

Entranced by the big picture horizons of galaxies and maps projected on to the cavernous Bille Brown Studio walls, the audience journeys with Darwin on the Beagle’s voyage in which 19th-century Bible-bashing runs headlong into evidence contradicting inherited belief (Australian 18 July 2016).

'Young Storm Boy lives a simple yet free life on the coastal wilds of the South Australian Coorong, combing the beaches with his reclusive father, Hideaway Tom.

'During a long summer, he makes two friends who will shepherd him from childhood into adulthood: the jester Fingerbone Bill, who teaches him about his country; and Mr Percival, an orphaned pelican who prepares Storm Boy for the wider world with a poignant lesson about love, loss and letting go.'

Source: Queensland Theatre Company.