AustLit

Devised by American screewriter Anne Hall, The Unisexers was a short-lived series that followed the travails of a group of young people collectively running a jeans-making business in a large inner-city house, from the same production company that produced Number 96.

Unlike Number 96, however, The Unisexers ran for only three weeks, five nights a week. According to Moran, in his Guide to Australian TV Series,

'Ironically, given that the timeslot had been such an important factor in the success of Number 96, The Unisexers timeslot [prior to the main evening news] in Sydney and Melbourne proved to be a major part of its downfall. Producers and writers felt particularly circumscribed in terms of what they could show and talk about at that time because of the large number of children viewing then'.

The first episode of The Unisexers is available to watch on YouTube (in black and white).

• Part 1: http://www.youtube.com/watch?v=Q3SYqFbfO4c
• Part 2: http://www.youtube.com/watch?v=fI6_tNGKa_A&feature=related
• Part 3: http://www.youtube.com/watch?v=-AGsCMlyb-c&feature=related
• Part 4: http://www.youtube.com/watch?v=gmIpzjK9504&feature=related

(Sighted: 7/10/2011)

A thirteen-episode sit-com from the production company that was shortly to launch soap-opera Number 96.

The premise involves three men and two women who, for purely economic reasons, share a basement flat: Jeremy (who works in television), Mark (a medical student), Bob (an accountant), Jennifer (a university student), and Laura (a model and receptionist).

The program's tension comes from their landlord Tinto, whose prurient distress at the mixed-gender tenancy leads him to attempt various methods of evicting them.

According to Don Storey, on his website Classic Australian Television:

'The Group relies, in classic sit-com tradition, on misunderstandings and misinterpretations of events to generate comedy, which are usually the result of the scatter-brained antics of Laura. There is no underlying social comment, other than the overall theme of not judging by appearances as Tinto does. The sole purpose of The Group is to entertain, and this it does.'

Though The Group was popular with audiences, it was not picked up for a second season for various reasons, including (according to Don Storey) the lack of overseas sales, Bruce Gyngell's departure from the Seven Network, and Cash Harmon Television's planned production of Number 96 for the Ten Network.

Like The Adventures of the Seaspray and Barrier Reef, The Rovers was an adventure series based around a ship (in this case, an island schooner called the Pacific Lady). The concept allowed for a great degree of mobility, so that, in Moran's words (in his Guide to Australian TV Series), they 'drop anchor, go ashore and "have adventures".'

The crew consisted of Captain Sam McGill (called 'Cap'), Cap's ten-year-old grandson Mike, freelance wildlife photographer Bob Wild, and journalist for Wildlife magazine Rusty Collins, 'whose editor agreed to her accompanying the party on the boat as long as it doesn't cost him anything' (according to Don Storey, in his Classic Australian Television).

Moran says of The Rovers that it 'was a bargain basement variation of the Barrier Reef formula' (despite the fact that Barrier Reef didn't air until nearly two years later, in February 1971). But Don Storey similarly notes that

To be fair, The Rovers could not be considered a ground-breaking pinnacle of artistic achievement, following as it does the well-trodden path taken by Seaspray, Skippy and Woobinda. However, for all its predicability and happy ending, The Rovers is a slick, well-produced and entertaining product, with a balance between the dramatic and the light-hearted that appealed to adults and children alike.