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Ruby Todd Ruby Todd i(A144634 works by)
Gender: Female
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Works By

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1 Reading and Responding to Poetry : To Know, to Experience Owen Bullock , Lucinda McKnight , Ruby Todd , 2020 single work criticism poetry
— Appears in: Qualitative Inquiry [Online] , July 2020;

'Three poet-researchers conduct three different readings of Tishani Doshi’s poem A Fable for the 21st Century. We ask how as creative practitioners and critics we can negotiate the desire for mastery of a text, and the dangers a semiotic reading presents, allowing for difference, indecision, and complexity. We present our initial readings of the poem and summarize our discussions of them grounded in the transactional reading theory of Louise Rosenblatt and nuanced by assemblage theory. A final section includes three original poems written in response to Doshi, together with a brief discussion of them, and forms part of our conclusion.'

Source: Abstract.

1 Creation Ruby Todd , 2019 single work short story
— Appears in: Ploughshares , Winter no. 142 2019-2020;
1 Whiteout : Writing Collaborative Online Poetry as Inquiry Lucinda McKnight , Owen Bullock , Ruby Todd , 2017 single work criticism poetry
— Appears in: Qualitative Inquiry , vol. 23 no. 4 2017; (p. 313-315)

'This article shares an experimental poem created by three poet-researchers using an online word processor to collaborate within a single document. We attempt to blur the line between creative and academic writing, focusing on the possibilities for writing as a method of inquiry and the opportunities for different perceptions of being that it suggests. Our project unfolds as we also produce a brief diffractive reading that does not mirror or deconstruct the poem, but thinks it in an alternative way, as a broader collaboration, or intra-action between entities, both human and non-human. We avoid determining how our purported individual voices merge to form any united voice. Rather, we are alert to agencies and flows that complicate understandings of us as three rational, discrete, fully formed human figures articulating coherent narratives. We therefore offer a response to theoretical calls to explore collaborative writing as inquiry, through sharing our practice.'

Source: Abstract.

1 Coming Forth by Day i "As in the Egypt of pharaohs while the body", Ruby Todd , 2017 single work poetry
— Appears in: Meniscus , June vol. 5 no. 1 2017; (p. 139-140)
1 Meeting Thomas i "You said you found a mine in me", Ruby Todd , 2017 single work poetry
— Appears in: Meniscus , June vol. 5 no. 1 2017; (p. 137-138)
1 The Departure i "From the start, he casts two shadows", Ruby Todd , 2017 single work poetry
— Appears in: Meniscus , June vol. 5 no. 1 2017; (p. 136)
1 Dreams of Waking Ruby Todd , 2017 single work essay
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 21 no. 1 2017;
'In his riddling, labyrinthine story, ‘Tlön, Uqbar, Orbis Tertius’ (1962), Jorge Luis Borges imagines a fantasy world of ideas created by a secret order of scholars in which, he writes, it is believed ‘that while we sleep here [on Earth], we are awake elsewhere and that in this way every man is two men’ (Borges 1962: 8). In this image of alternate dream-lives and divided selves, Borges speaks to some of the most pervasive themes in Letter to Pessoa, the first collection of lyrical and inventive short stories by Indian-Australian poet Michelle Cahill. The significance of dreaming in this collection – as a practical and metaphorical means of escaping, extending or interrogating reality – is also premised by the book’s elusive epigraph, an excerpt from Fernando Pessoa’s The Book of Disquiet: ‘I feel as if I’m always on the verge of waking up’. (Introduction)
1 Displaced Metaphors : Poetic Engagements with Language in a Digitised World Ruby Todd , Lucinda McKnight , Owen Bullock , 2017 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 21 no. 1 2017;
'This practice-led paper discusses an ongoing creative and conceptual collaboration between three authors, in which poetry is approached as a means of exploring how lived experience and language are being transformed by the rapid evolution of digital devices and technologies. We reflect on our use of poetry to explore and interrupt the increasing invisibility of metaphors such as ‘cloud’ and ‘screen’ as applied to technology, by re-foregrounding the disjunctions between metaphor and what it describes. Engaging with the work of Paul Ricouer and Maurice Blanchot, we consider the unique operations of literary language and the ability of poetry to invite critical encounter in ways that foreground physical sensation and the free association of signifiers. We explore how such poetic engagements offer an important means of approaching questions concerning the implications of digitisation, via language and lived experience on what we perceive as the ‘real.’ In this context, we consider Baudrillard’s dystopic postulations regarding simulacra and hyperreality, and Susan Stewart’s perception of digital modes of communication as inducing a nostalgic longing for the immediacy of pre-digital reality. As this paper will discuss, such possibilities, at once dystopic and mournful, are at once complicated and offset by the generative potential of creative engagements with digitisation, which have exciting possibilities for creative practice.' (Publication abstract)
1 Matter(s) at Hand Ruby Todd , 2016 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 20 no. 1 2016;

— Review of Southerly vol. 75 no. 1 2015 periodical issue
1 ‘In Losing We Have Something to Gain’ : Examining the Analogous Movements of ‘mobilising’ Absence in Literary Language, Authorial Impulse, and Elegiac Writing Ruby Todd , 2016 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 20 no. 1 2016;
'Just as absence mobilises the linguistic sign, so the felt experience of absence, through personal loss on the part of the writer, mobilises writing. While each of these ideas has been well-documented separately within their respective literatures, the fact of their correspondence, and its implications for the thinking of absence within creative writing studies, warrants further discussion. Engaging with the work of select thinkers within semiotics, literary philosophy, and psychology, this paper examines the operations of the analogous movement between the operations of the linguistic sign as a structure motivated by absence, and the phenomenon of generative loss in the experience of creative writers. Throughout, it draws from Roland Barthes’s elegiac meditations on literature, loss and writing following the death of his mother, in Mourning Diary (2009). This paper suggests that just as writers are mobilised by absence to write, so do they in turn self-consciously mobilise the narrative and aesthetic powers of absence for their own literary ends. Interrogating the relations between these movements offers a means toward further understanding the particular aesthetic force of much elegiac literature, as it bears on our motivations, processes and felt experiences as writers and readers.' (Publication summary)
1 In Times of War Ruby Todd , 2016 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 20 no. 2 2016;

— Review of Southerly vol. 75 no. 3 2016 periodical issue
1 Speaking of Dreams Ruby Todd , 2015 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 19 no. 2 2015;

— Review of Southerly vol. 74 no. 2 2014 periodical issue
1 The Work of Surrender Ruby Todd , 2015 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 19 no. 1 2015;

— Review of The Yellow Emperor : A Mythography in Verse Michelle Leber , 2014 selected work poetry
1 Speak, Memory Ruby Todd , 2014 single work review
— Appears in: TEXT : The Journal of the Australian Association of Writing , October vol. 18 no. 2 2014;

— Review of The Strays Emily Bitto , 2014 single work novel
1 Twenty-Five i "That birthday left an impact in the earth", Ruby Todd , 2013 single work poetry
— Appears in: The Paradise Anthology 2013; (p. 31-32)
1 Easter i "On Good Friday at my father's, in cold", Ruby Todd , 2013 single work poetry
— Appears in: The Paradise Anthology 2013; (p. 31)
1 First-cast i "Here, the cold quick of midnight's pier", Ruby Todd , 2013 single work poetry
— Appears in: The Paradise Anthology 2013; (p. 31)
1 Broken-Down Villanelle i "your train will arrive", Ruby Todd , 2012 single work poetry
— Appears in: Verandah , no. 27 2012; (p. 15-16)
1 The Supplement i "desire creates the hollow", Ruby Todd , 2011 single work poetry
— Appears in: Overland , Summer no. 205 2011; (p. 79)
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