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Ben Stubbs Ben Stubbs i(A145668 works by)
Born: Established: Cooma, Cooma area, Cooma - Snowy - Bombala area, Southeastern NSW, New South Wales, ;
Gender: Male
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Works By

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1 Recognising the Importance of Objects in Travel Writing Ben Stubbs , 2021 single work criticism
— Appears in: TEXT Special Issue , October no. 63 2021;
'Throughout its history, travel writing has not been held in the same esteem as many other forms of non-fiction writing (Youngs, 2013; Stubbs, 2015) due to issues with representation, the creative techniques used, and the subjective perspective of the writer. Despite this critique, Baine Campbell has asserted that travel writing has a ‘plurality’ (2002), which allows it to resonate across a variety of disciplines. This paper observes how a recognition of the importance of objects as evocative and creative artefacts can provide a prompt for more engaged and authentic examples of travel writing, so as to better achieve recognition as a legitimate blend of creative writing, journalism, and history writing. The research will examine the influential travel writing works of Bruce Chatwin with In Patagonia (1977) and Christopher Kremmer’s The Carpet Wars (2002) to observe how these writers use objects for significant creative and cultural guides within their explorations. By looking closer at how objects can present new ways of looking at and writing about place, I will examine how an awareness of meaningful artefacts has influenced the creative and structural choices of my own travel writing practice to better achieve a plurality of appeal that moves it beyond its past criticisms.' (Publication abstract)
1 The Night Writer : The Emergence of Nocturnal Travel Writing Ben Stubbs , 2019 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 56 2019;
'In 1762, the philosopher and writer Jean-Jacques Rousseau wrote in Emile (1979) that we are blind half our lives because of what we miss during the night. The notion that the night can offer a broader experience and understanding of people, culture and place is one that is particularly relevant to travel writing and travel writers, though it is a perspective that has not been widely studied. As such, this paper will explore the development of nocturnal travel writing. This awareness begins with the influence of the flâneur in Paris and London. The immersed perspective of the street wanderer inspired many writers, including Charles Dickens, who later wrote Night Walks in 1861 of his nocturnal London walking. While technology and security diminished the writers’ fascination of the night in the later 19th and 20th centuries, it has re-emerged as an important subgenre of contemporary travel writing. There is a range of diverse examples of nocturnal travel writing in the 21st century focusing on nature, social and cultural lives and non-English speaking countries. These examples present an opportunity to push the authentic boundaries of the travel writing form in an era of gimmicks and unimaginative storytelling. As a form which draws influence from the flâneur, psychogeography and the literary pedigree of writers such as De Quincey and Dickens, nocturnal travel writing offers the reader a new and imaginative rendering of the ‘other’ within different places, cultures and temporal zones.' (Publication abstract)
1 y separately published work icon The Crow Eaters : A Journey through South Australia Ben Stubbs , Kensington : NewSouth Publishing , 2019 16674444 2019 single work prose travel

'Outsiders think of South Australia as being different, without really knowing much about it. Combining his own travel across the million-square kilometres of the state with an investigation of its history, Ben Stubbs seeks to find out what South Australia is really like.

In the spirit of the best travel writing and literary non-fiction, he lingers in places of quiet beauty and meets some memorable people. Along the way he debunks most of the clichés that plague the state. Travelling to Maralinga, Ceduna, Kangaroo Island, the Flinders Ranges, Coober Pedy, the storied Adelaide suburb of Elizabeth and the once-mighty river that is the Murray, Stubbs brings this diverse state to life. He even addresses head-on the question ‘Is South Australia weird?’

Readers will find it hard to resist the book’s implicit invitation to take a look at places much closer to home, to take the time to drink in dramatic landscapes that are slow, deep and speckled with unforgettable characters.'

Source: Publisher's blurb.

1 Islam in the Outback Ben Stubbs , 2018 single work essay
— Appears in: Griffith Review , no. 61 2018; (p. 257-265)

'On a dusty corner just before the Oodnadatta Track begins to unfurl across the centre of Australia, there is an unassuming mud-walled building on the edge of Marree, a town with a population of one hundred and fifty. Grey nomads pull up outside the general store across the road in their four-wheel drives to stock up on beer coolers and meat pies, and they barely notice the humble thatch-roofed structure. Behind them, young families clamber over the platform of the old Ghan railway, paying no attention to the building. The only identifying mark next to the dirt walls and old wooden beams is a small notice stuck on a stick in the ground, which looks like it is stencilled on in pen. It proclaims that this spot is ‘Dedicated to the memory of the pioneering Muslim cameleers and families of Hergott Springs (Marree)’. It is also the remains of the first mosque in Australia.' (Introduction)

1 Travel Memoir and Australia : From Twain to Tracks and the Present Day Ben Stubbs , 2017 single work criticism
— Appears in: Mediating Memory : Tracing the Limits of Memoir 2017; (p. 192-204)

'Ben Stubbs' chapter demonstrates the new depths possible within hy-brid travel memoir. He looks at its evolution from works by Mark Twain to Robyn Davidson and Don Watson, tracing the progression of the genre from Twain's self-centered imperialism to Davidson and Watson's cultural self-awareness.'

Source: Introduction, p.7

1 A Different View Ben Stubbs , 2017 single work essay
— Appears in: Southerly , vol. 76 no. 2 2017; (p. 128-140)
'Close your eyes. Wait until the echoes of sunlight fade and the phosphenes floating around your eyeballs dissipate and everything is black Within this darkness, if you concentrate, you can see through a pea-sized hole of light that will allow you to navigate along an unfamiliar street. This is the reality of many vision impaired people.' (Introduction)
1 The Edge of Christmas Ben Stubbs , 2015 single work prose
— Appears in: Meanjin , Autumn vol. 74 no. 1 2015; (p. 36-45)
1 A Christmas Story Ben Stubbs , 2015 single work autobiography
— Appears in: Griffith Review , April no. 48 2015; (p. 116-121)
1 [Review] Salt Story : Of Sea-Dogs and Fisherwomen Ben Stubbs , 2014 single work review
— Appears in: Australian Book Review , February no. 358 2014; (p. 46)

— Review of Salt Story : Of Sea-Dogs and Fisherwomen Sarah Drummond , 2013 single work novel
1 From Royalty to Rock and Roll Ben Stubbs , 2012 single work column travel
— Appears in: The Canberra Times , 24 November 2012; (p. 13)
1 Creative Non-Fiction Writing Ben Stubbs , 2012 single work column
— Appears in: ACTWrite , April vol. 18 no. 3 2012; (p. 11)
1 5 y separately published work icon Ticket to Paradise : A Journey to Find the Australian Colony in Paraguay among Nazis, Mennonites and Japanese Beekeepers Ben Stubbs , Sydney : HarperCollins Australia , 2012 Z1858735 2012 single work prose travel

'In 1893, Australian journalist William Lane dreamed of creating a utopia where his socialist ideals could flourish, far away from his home in Queensland. He enlisted 238 followers and convinced them to sail across the Pacific with him to Paraguay, where he intended to create a paradise where brotherhood would be the order of the day and where hard work would reap its own rewards. And then reality set in.

'Expecting green and fertile fields, the New Australians found instead a dustbowl; expecting wine, women and song, they realised that their leader wanted them to remain abstemious and monogamous. This was not paradise but a kind of hell and Lane woudl face open rebellion from his followers.

'In 2010, Australian travel writer Ben Stubbs made his own trek to the wilds of central Paraguay to discover the remnants of New Australia and to search out the stories of those who stayed behind. He discovers a series of utopian colonies, including New Japan and New Germany, and their inhabitants, who lead strange double lives, caught between the countries they think of as home and the one they live in every day. Funny, unexpected and fascinating, this is an adventure travel story with a difference.' (From the publisher's website.)

1 Profile : Ben Stubbs Ben Stubbs , 2012 single work autobiography
— Appears in: ACTWrite , March vol. 18 no. 2 2012; (p. 3)
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